In a more-perfect world of Independent Film Distribution, iTunes would open the flood gates and allow all feature filmmakers to upload their work. However, at the time of writing, getting your finished feature film into iTunes is still a pain in the butt. With few exceptions, the company seems to favor traditional distributors over the indie producer. So if you one day dream of having your movie viewed on someone’s iPhone, you’ll still have to find a middle-man ask permission…
Sooner or later the filmmaking bug hits you. . . It’s like a far off voice or compulsion. But like breathing, for the serious independent filmmaker, the need to make a feature is always present.
Many independent filmmakers consider indie film to be sacred and avoid working with studios. Other filmmakers think studio movies are the ONLY movies that count. And they discount indies as a calling card to simply get noticed by the studios. And yet other filmmakers just want to get their film made! Long before I moved […]
Creating an independent film budget requires that you get very creative. Unlike studio productions, as an independent filmmaker, you have limited resources. After taking a weekend to break the screenplay into a schedule and a budget, you’ll quickly find the gap between the money you have and the money you need. If this is you, […]
Without a defined market or an established sales channel, it is difficult to justify financing, which makes it very difficult to pay cast and crew – which, by the way, makes it difficult to produce a movie.
What we are experiencing is the film industry equivalent of sweat shop labor flooding the market with cheaply produced product. And as a result of these diminished margins, filmmakers must now think in terms of volume. So instead of putting 100% focus on simply making one movie, the model must now involve planning for, and creating a library for a minimal budget.