How To Finance Movies With VOD Sales Projections

Do you know the most popular question filmmakers ask me?

I’ll give you a hint. It has to do with video on demand.

Ready. . .

Without too much variation, the most popular question is: “Can you provide some VOD sales projections?”

I understand the motive behind this question.

Believe me, I do.

You’re a filmmaker. You either made an awesome movie and you’re trying to use VOD sales projections to convince your partners that VOD is the way to go. Or you are in the process of making a movie and you need to convince your investors that VOD is awesome. In both scenarios, you’re trying to find proof that movies make money in VOD.

I get that. . . But. . .

Let’s make one thing clear. Asking for VOD sales projections is asking the wrong question!

If you dig around, examples of VOD Sales successes are out there. Check out what The Polish Brothers did. And if that’s not enough, Google the case study around Indie Game the movie.

But the truth is, one filmmaker’s past success does not guarantee that your movie will be successful.

Read that statement over and over again. And if you need a little more clarity, take a look at what the cat is saying here:

VOD Sales Projections

Realizing that VOD sales projections are BS is essential for your success. And I am going to explain how you can use your new found understanding for good, very soon…

But before I go there, let’s talk about why people invest in independent film.

Why Investors Invest In Indie Film

Independent movie investors invest because (aside from having an appetite for risk and an interest in the film business) most of these people want a return on their money. If you are doing things by the book, you probably created a marketing strategy as part of your business plan. This plan provides prospective investors an overview of how investment dollars will be budgeted, spent and hopefully recouped.

In the past, trying to convince investors movies were a good investment involved projecting returns based on speculative data. To guess how much money a movie may make, filmmakers would compare their project to other successful movies.

Creating indie movie comparables is complete BS.

The reason for this is simple.

Just because you make a low budget horror movie does not guarantee your movie will have the same success as Paranormal Activity.

In fact, Paranormal Activity is an outlier. It is not a fair comparison. And using breakout hits as examples, while ignoring the thousands of unsuccessful horror movies made each year, is short-sited at best and I dare say a little unethical.

VOD Sales Projections

Photo © drubig-photo / Dollar Photo Club

Video On Demand Sales Projections

Given the birth of VOD distribution, as a filmmaker you now have the ability to access and enter into a non-discriminatory marketplace as soon as your movie is ready. And because many of these marketplaces exist online, much of your sales will come from internet traffic.

This is actually awesome news.

It means that you can boost your sales by using a very common marketing concept called…

[Seriously… Are you ready? You are about to receive the secret sauce of modern, indie movie marketing.]

More important than VOD Sales Projections is:

Conversion Rates

What is a conversion rate?

Conversion Rate Defined, According to Wikipedia:

Your conversion rate is the proportion of visits to a website who take action to go beyond a casual content view or website visit, as a result of subtle or direct requests from marketers, advertisers, and content creators.

Conversion_Rate

In other words, if you send one-hundred people to your movie website and two people buy your movie, your conversion rate is two percent. This is profound. This is life changing for indie filmmakers!

Question: Why should filmmakers be enthusiastic about the internet marketing, nerd concept of conversion rates?

Answer: If you know your conversion rates, you can model and potentially project more accurate movie sales projections from day one.

But before you start noodling around to find your conversion rates, it helps to answer the following questions:

Modern MovieMaking Model

  1. Who Is Your Target Audience?
  2. How Large Is Your Target Audience?
  3. How Will You Reach Your Audience?
  4. What Is Your Marketing Strategy?
  5. How Many VOD Sales To Break Even?

While I won’t get into the actual mechanics of marketing and selling your movie here (My Action Guide How To Sell Your Movie provides you with an actual step-by-step plan for getting your movie seen and sold), I will simply note that a marketing plan must now be included with your business plan.

The Secret VOD Sales Projection Formula

When you create (or refine) your marketing plan, you must now include some marketing math.

Truth be told, math is a weak subject for me and I dare say, most of the filmmakers I know. But luckily there are many spreadsheet templates that allow you to test several conversion rate scenarios. You can use these scenarios as a guideline to ballpark the potential ROI for your movie.

Here is a basic website conversion rate calculator you can utilize: http://bit.ly/17TSCrt

Before you get overly excited (like I am) calculating your movie website conversion rate is only one metric to determine your movie’s potential for profitability. You still need to figure out how to price your movie. And at the same time, you will need to determine how much targeted internet traffic will cost you.

Generating Internet traffic is the result of executing four strategies. You can either get free traffic online, free traffic offline, paid traffic offline or paid traffic online.

For the sake of this example, I am going to incorporate pay per visit advertising. With pay per visit advertising, you simply pay for someone to visit your movie website.

One example of Pay Per Visit traffic is StumbleUpon. It’s a social bookmarking site that also allows you to pay for semi-targeted traffic. This works well if you have a movie with a dose of controversy and a strong hook.

And again, if you’d like more info on specific traffic generating strategies, check out my indie guide to distribution.

Ok. Here is our first example…

Let’s assume only 1% of the targeted folks who actually visit your website, buy. Then how many visits will you need to sell 100 units?

100 units = Our goal for this ad campaign.
$.05 = Amount you may pay advertiser per visit.
X = Number of Visitors Needed to buy 100 units if only 1% buy.

(X).01 = 100 units
EQUATES TO: X= 10,000
THEN 10,000($.05) = $500 paid for targeted traffic.

So in other words, if you were lucky enough to get a 1% return, you just paid $500 dollars in pay per visit advertising to sell 100 units of your movie. But let’s go one step further. Let’s assume you’re like me – and you hate order fulfillment and shipping. So you decide to let a company like Amazon’s Create Space or iTunes (or some other popular marketplace) handle your order.

Video On Demand For Rent (Electronic Sell Through)
100 units ($3) = $300 – 50% paid to marketplace = $150
minus $500 paid for advertising = -$350 NEGATIVE

In this VOD rental scenario, the Pay Per Visit Ad numbers don’t work, unless you like losing money.

Video On Demand For Download (Electronic Sell Through)
100 units ($10) = $1000 – 50% paid to marketplace = $500
minus $500 paid for advertising = BREAK EVEN

In this VOD download to own scenario, the numbers work a little bit better. Assuming you’re lucky enough to get 1% of your money returned, at least the advertising pays for itself. But unless you can increase your conversion rates, pay per visit advertising is going to be very difficult method for returning money to your investors.

Physical DVD Sales
100 units ($20) = $2000 – 50% paid to marketplace = $1000
minus $500 paid for advertising = $500 in profit.

Ah ha! If you’re fortunate enough to get 1% return on your pay per visit advertising, you can see how physical DVD’s (or units) sold at $20 dollars may offer a slight profit margin. In other words, in this scenario, for every $.50 cents you spend, you get $1 dollar back.

So let’s tackle the bigger problem. Let’s try to get a return on our 1Million dollar movie, selling physical DVD sales and using pay per visit advertising alone:

Movie Budget = 1 Million dollars
Physical DVD Sales using Pay Per Visit Advertising

$1,000,000 divided by $20 per unit = 50,000 Units

Since we will give 50% to the marketplace for all sales, we will need to project for double our budget.

100,000 units = Our goal for this ad campaign.
$.05 = Amount you may pay advertiser per visit.
X = Number of Visitors Needed to buy 100,000 units if only 1% buy.

(X).01 = 100,000 units
EQUATES TO: X= 10,000,000 (Yes, TEN MILLION people.)
THEN 10,000,000($.05) = $500,000 paid for targeted traffic.

100,000 units ($20) = $2,000,000 – 50% paid to marketplace = $1,000,000
minus $500,000 paid for advertising = $500,000 in profit.

So to break even, you would need to sell 100,000 units and make $2,000,000.

Some Sales Conclusions

Based on this scenario, as a filmmaker you will (obviously) need to expand your promotion beyond pay-per-visit advertising!

But importantly and most AWESOMELY, you can treat your movie business like any other small business. With VOD Sales projections, you can find the marketing formula that works for your movie and crunch your numbers until you find a scenario that brings you profits.

Create a plan that included your marketing costs in your budget.

While there are no guarantees in any business, having a plan for marketing, sales and distribution sure beats the old days when your only plan for ROI involved crossing your fingers in the hopes someone will offer you a profitable, traditional deal.

While these may not be the VOD Sales Projections you were looking for, hopefully you now realize the power of knowing your conversion rates.

Treating your movie business like any small business simply means you don’t have to ask permission. You can make your movie NOW! And your prospective investors might take notice…

Also, can you do me a favor? If you liked this filmmaking article, could you kindly retweet or share this article with your friends?

How To Create a Film Website (So You Can Sell Your Movie)

Your filmmaker website will go through two stages.

The first stage of your film website is your pre-launch promotional stage. During this time, your film website will consist of your movie title, a synopsis and some fancy images that express what your are tying to accomplish. You should also include a blog.

When we launched the film website for Toxic Soup, we focused on getting environmental activists to join our newsletter. In addition capturing emails, the Toxic Soup landing page had another goal – We wanted to let people know that Toxic Soup was more than just a movie. It was a movement. And we wanted to get our audience to help spread the message.

film website

Share Your Story

In addition to your email registration form, your film website should include a video that tells your prospective fan about your movie. A good example of this can be found at Cow Power, a documentary focused on turning cow poop into fuel.

Cow power film website

I met the filmmaker, Allison Gillette when she attended my panel discussion at WestDoc. And I especially like her email registration form. Do you see how it is limited to just asking for the email? Many marketers agree that asking for less is more.

In addition to emphasizing your movie, your prospective audience will also want to know a thing about you and why you are making the movie. Why should people watch your movie? How will it entertain them? What do you hope to accomplish with the movie?

Indecently, taking time to answer questions in your intro film website video may also set you up for a crowdfunding pitch video.

Add Testimonials On Your Film Website

Just because you do not yet have a movie, does not mean you cannot find at least one early fan excited about the prospect of your movie. An example might be “Hey Jason – I can’t wait to see your ninja zombie movie!”

These early testimonials simply need to demonstrate that someone else knows about your movie. To do this, you will want to contact your subscribers and ask them if they’d be willing to give you a testimonial about why they signed up for your mailing list.

The purpose of an audience list and why you need it!

The primary objective of your film website during the promotional stage is to get people to enroll in your mailing list. To do this, you will want to research several 3rd party email providers.

The two most popular are MailChimp and Aweber. I use Aweber to manage the Filmmaking Stuff mailing list and have been more than satisfied with their service. (Full disclosure, in addition to using the service, I do get paid to promote Aweber.)

After selecting your  preferred email management service, your next step is to actually create the registration form.

As mentioned previously, you should only ask for the most essential information. In my testing, asking for anything more than a name and email dramatically diminishes opt-ins. Both MailChimp and Aweber make this very easy, as they allow to customize registration forms you can embed on your website.

As a filmmaker, depending on the word of mouth potential of your movie, having a promotional film website can help you take advantage of initial movie marketing opportunity.

film website

How To Create a Film Website

The first step in getting your website established, involves reserving website hosting and a domain name for both your production company, as well as separate sites for each of your movies.

If you already know the name of your movie, you will want to reserve it as soon as you can (before somebody else grabs it).

To reserve your domain and set up a film website, head over to my friends at www.MovieSiteHost.com – Like most links I mention, this is my affiliate link for Bluehost. I have utilized MovieSiteHost for many of my websites, for years, without issue. In the few instances when I needed to reach someone in customer service, my calls were always answered.

In terms of setting up your actual site, I no longer recommend building a site from scratch. Instead, consider using something called a content management system – or CMS. With a CMS, you can have your own film website in minutes…

Movie_Site_Host

Just in case some of these terms of confusing, let’s recap: Website hosting can be compared to the vacant lot where you’ll eventually build your office building. Your domain name can be compared to your street address. The CMS is the raw materials needed to build your office building, or in this case, a sophisticated website.

And assuming you are utilizing www.MovieSiteHost.com for your hosting, these elements can be implement in a few clicks of a mouse.

When you arrive at MovieSiteHost, you will first need to reserve a domain name for your movie.

Pick-DomainTo set up your initial website, after you reserve your domain name, you will be redirected to your control panel. Once there, click on an icon called “WordPress.”

Choose_Word_Press

From there, you will START a brand new install WordPress on your server.

Start_Install

After a minute or two, WordPress will be installed in your account. You will then be issued with a username and a password. Once you have it, you can log into your new website and begin your customization.

Websites-for-filmmakers-made-easy-300x198

In my opinion, WordPress is one of the most robust and powerful content management systems in the world. And the reason I recommend installing a CMS for filmmakers, over building a traditional website is because once you set up WordPress, you will be able to create and modify your content and change the entire look and feel of your website, with the ease of sending an email.

sell your movieBy making these tweaks yourself, you will save the cost of constantly contacting your webmaster.

If you like this tip, you’ll love this film distribution resource.

Download This Sell Your Movie Checklist

Film distribution is changing fast. What worked in the old days, doesn’t work anymore. And if you’re looking for information on how to sell your movie, you’ve come to the right place!

Since you’re reading this article, I’m guessing you are one of two types of filmmakers. Either you made a movie or you are working towards your next movie. In both instances, learning about film distribution – specifically coming up with a strategy to get your movie seen and selling is essential.

I don’t need to tell you that making a feature film is a feat that many find impossible.

In order to make a feature film, you have to put together a cast and crew, refine your script, find some funding and in the process, you have to figure out how to ignore all “advice” that your friends and family share with you… About how it can’t be done.

But behind all the excitement, you and I both know there is one nagging question on your mind. And it is the same question asked by every independent feature filmmaker.

Sell Your Movie

Photo © Nebojsa Bobic / Dollar Photo Club

You’re wondering: “How am I going to sell my movie!”

That is a good question. And if you’re crossing your fingers to hopefully sell your movie for a huge paycheck and a three-picture Hollywood deal, what I’m about to share with you may be a bit different than what you’re hoping for. Ready?

While there are a lot of distributors out there who would like to tell you otherwise, most films DO NOT make money in a traditional distribution deal! (I’m serious here.)

Getting your movie seen and selling is really up to YOU!

Whenever I say something like this in my talks, invariably someone shouts across the room:

“Making a movie is hard enough. How do you expect me to become my own distributor?”

This is a fair question. And after making a movie, then doing the festivals and not receiving a deal, you can get pretty tired. I totally understand that. This is why a lot of filmmakers give up on their movies or take a crappy deal. But I want to help you avoid this.

>>Give me the “Sell Your Movie” checklist!<<

How To Sell Your Movie

Here’s the thing. There are a lot of crappy movies getting made each year. Thanks to technology, any person with a thousand dollars can grab an HD camera and create a backyard indie. And while this does not guarantee quality, it does create a market flooded with cheaply produced movies.

Add the fact that DVD is almost dead, and your odds of finding a traditional distribution deal (that actually pays you good money) are dramatically decreased. For most filmmakers, this revelation comes as a shock.

Where is my million dollar check?

Look. I can’t promise your movie will make money. Some movies make a lot of money. Some movies make about zero dollars. But I can tell you advances in VOD distribution and internet marketing offers hope. . .

There is hope if YOU are willing to DO the work.

Most filmmakers are NOT willing to do the work. In fact, most filmmakers would rather give up on their movie. . . Hopefully we’re not talking about you. You owe it to yourself and your investors to explore all options and come up with a solid marketing and distribution plan.

If you want to sell your movie, you need to create a distribution strategy that YOU control. This is a new way to think. In the old days, the mere mention of self-distribution was a crazy notion.

DIY? Isn’t Do It Yourself for losers?

That is how I used to view the world. If it wasn’t for the internet, I would probably have a whole different perspective on how to sell your movie. I’d probably tell you to take ANY distribution deal. But times have changed. Like you, our first feature was met with empty distribution promises and crappy deals.

So by necessity, we started to sell our title on Amazon as both a physical DVD and a video on demand download. At first, none of the producers liked that idea. I mean, even if a traditional deal sucks, at least there is still validation of seeing your title on the shelves at the local video store.

But then we made our first sale. . . We thought it was an anomaly. How could we possibly make money with our movie? We had no movie stars. We had no formal, traditional distribution deal. (We had offers, but nothing that actually paid money.)

Adding to this, most people on earth had never heard of our movie (including you.) But then we made another sale. . . And then a third. . . And then a dozen. . .

That was back in 2006. Since that time, our first feature has sold in ways we never imagined. And while the money we made on the movie wasn’t enough to pay for early retirement, I can’t complain.

The truth is, we were onto something before most other filmmakers. And this experience forever changed the way I view movie distribution. Prior to making my first feature, my “sell your movie” strategy always revolved around one BIG payday.

But I am now of the opinion that making money as an indie filmmaker is more about making a bunch of small movies and getting each one to pay you a little each month. These days filmmakers need to create good work, find their target audience and focus on sell movies consistently over time.

For many filmmakers, this sort of sell your movie talk might seem crazy. Think about it. In years past, filmmakers only self distributed their movies when they had to. It wasn’t a choice! But these days, taking time to learn how to sell your movie makes sense. And that’s why I put together this checklist.

These days you can choose to sell your movie, because nine times out of ten, making your title available on Amazon and iTunes and other popular VOD marketplaces can potentially pay more than a traditional deal.

Remember, a deal that pays zero is not a deal.

(Of course I’m expressing my opinion.)

The sell your movie checklist should be considered a good start.

Can I ask you a favor?

If you like this checklist, can you kindly tell your filmmaking friends to check it out? Moving forward, let’s set some expectations. The purpose of this guide is for you to grab at least one useful film distribution or movie marketing tip. If you do this, then we can both be happy.

That’s it. Easy, right? As always, if you have questions about anything in this guide, please feel free to contact me. I love it when I find out how these tips have helped you get closer to your filmmaking goals! Like I said, if you take time to study this guide, you might get a tactic to help you sell your movie.

>>Give me the “Sell Your Movie” checklist!<<

I hope you enjoy this brief guide to getting your movie seen and selling. And if you really like this information on how to sell your movie, please share it with every filmmaker you know. They will thank you for it!

Three Tips On How To Target Your Target Audience

Having spent time at the major film festivals, I can tell you that having an audience (also known as a large email subscriber list) is currency. It gives you power. But before you get into the mechanics of growing your audience – You need to first figure out how to find your target audience.

In fact, you need to target your target audience even before you write your screenplay.

If thinking about your target audience is a new concept, you’re not alone. Most filmmakers fail to consider their target audience. Or worse, many filmmakers will tell you that everyone is their audience.

This means men, women, teens, tweens, children, puppies and space aliens could all benefit from your movie.

This is a mistake. It’s a left-over concept from the indie era of 1995. Back then, you only had one goal with your movie. Get into the festivals, fill up your screening and hope the some distributor shows up and writes a check.

Many filmmakers still believe this. But these filmmakers are wrong.

Think about it.

Think about the last time you went to a film festival. What did you see? Was it a bunch of acquisitions professionals handing out business cards like candy? Or did you happen to see other filmmakers handing you postcards, asking:

“Will you come to my screening?”

If you want to figure out how to find your target audience, here’s a solid piece of advice:

Other filmmakers are not your target audience!

But don’t worry. Because I’ve worked on the inside of film distribution for several years, I am going to help you avoid the mistakes 99% of other filmmakers make. I am going to provide you with three simple steps on how to find your target audience.

And these simple steps will put you years ahead of other filmmakers who are living off the hope and pray film distribution strategy of the bygone era. Are you ready to rock?

Find Your Target Audience

Find Your Target Audience

Here is the thing. There are ton of filmmakers that consistently muck up their film release strategy. As I mentioned earlier, the reason most films fail is because the filmmaker never took time to really write out a release plan.

The process of finding your audience starts with refining your movie concept.

Step 1: Refine Your Movie Concept: For this example, let’s pretend your lead character is a boxer living in an improvised community. And then let’s pretend that your boxer ends up with ONE big opportunity to take a shot.

A. From this, we know your movie is geared towards: Boxing.

B. We can also think about related interests: weightlifting, fitness gear, diary supplements, et al.

Step 2 – Conduct a Google Search: Your next step is to locate blogs, websites and publications already targeting people who may be interested in your subject matter. In this example, you can quickly Google “boxing.”

When you do this, “boxing” will get over forty-nine million results. This is not surprising. Interests such as boxing, horror movies, martial arts and race car driving have prominence in our culture.

Step 3 – Build a List: Add the top 50 targeted publications (both online and offline) to a spreadsheet. Then reach out to each publication and request their demographic statistics. These stats will tell you how many people subscribe to the publication and will often provide details on age and gender. (You will use this info later, when you go to sell your movie.)

You can apply these three steps whenever you want to find your target audience. And once you have a good understanding of your target audience, all future advertising, marketing language and your trailer should be created with your target audience in mind.

Then later, when your movie enters the marketplace, this research will provide you a contact list full of organizations that may help you promote your movie. And if you would like more information on how to market and sell your movie, come to my next webinar: www.filmmakingstuff.com/sell-your-movie-webinar

Email Marketing For Movies (Why You Need To Start Now!)

Did you know that email marketing for movies is as important as making your movie?

Sounds weird right?

I mean, you’re a filmmaker. What does email marketing for movies have to do with your success?

Everything…

In fact, I believe that email marketing for movies is essential.

And here’s one example why:

Picture This – You’re meeting a prospective investor for the first time.

You enter her gigantic office and you sit down. The assistant asks if you’d like anything to drink. You politely decline. (The truth is, you’re thirsty – But this is a big meeting and you don’t want to spill anything on your shirt.)

After a few minutes, your prospective investor walks into the room, sits down and you start talking. Everything is going well and the conversation organically flows into why you’re there. You’re there because you’re looking for investors. Specifically, you’d like her to fund your movie. And it goes something like this:

[Disclaimer: I am not a tax, legal or investment professional. So what I am about to share should be no way construed as any sort of advice. In fact, I am merely demonstrating via dialogue why I believe email marketing for movies is essential for filmmakers. Please speak with a qualified professional before taking any meetings with anybody anywhere in the universe.]

BEGIN SCENE

Filmmaker
I’m going to make a movie right here in this town. And I am looking for prospective investors who would be interested in backing the project.

Prospective Investor
Sounds interesting. As you can probably imagine, I have meetings like this every week. Last week someone proposed I should invest in their purple-pine-cone business. They are already profitable. And they are offering me an amazing opportunity with very low risk. Why should I invest in your project?

Filmmaker
We have this really great script. And we are going to make a movie. Take it to Sundance, sell the movie for maximum profit. And then we are going to use those profits to make more movies.

Prospective Investor
Get out of my office!

Filmmaker
Why?

Prospective Investor
Because what you just presented is not a business. It is a gamble. You don’t know if you’ll get into Sundance. And you don’t know if someone will buy your movie. And even if you do, you have no idea how much they will pay.

Filmmaker
But Paranormal Activity did awesome!

Prospective Investor
Get out!!! And only come back when you have a REAL business plan.

END SCENE

The world of independent filmmaking is changing.

The market is flooded with backyard indies. As a result, there is no longer a world where you get into Sundance and simply sell your movie to the highest bidder. And even if that world still existed, it was always a crappy bet for new filmmakers and inexperienced film investors.

Email Marketing For Movies

Email Marketing For Movies

As a result of these changes, filmmakers who want to make a living making independent movies need to start thinking about their target audience BEFORE YOU MAKE YOUR MOVIE!

While I would never suggest that you completely forgo your artistic integrity, I would suggest you answer the following questions:

  1. Who is going to buy and watch your movie? (Hint, if you answer everybody, you answered nobody.)
  2. How will you reach your intended niche, target audience?
  3. How many VOD downloads will it take to recoup your initial investment?

Since those of you who make movies are mostly filmmakers, not marketers, it becomes increasingly challenging to market your movie and your work. But some aspects of marketing are easier than you think.

How to get started?

One easy thing you can do is set up your own email marketing system. Email marketing for movies works like this – The bigger your list of targeted subscribers, the more sales you can potentially make. And for an example of how this works, click here to grab your free filmmaker checklist.

Pretty cool right?

Did you see how that big box just jumped right at you?

If you signed up, you did so because the Filmmaker Checklist is more valuable than the time it takes to type your email address. (And I really did put a lot of work into making it valuable for you.) This is what marketers call an “ethical bribe,” “opt-in candy” or a “lead magnet.” And you need to create a lead magnet for your movie website visitors too.

Common lead magnet examples for movie website usually consist of: behind the scenes photos, movie song downloads or soundtrack, poster downloads, short video clips, or pretty much anything your audience would value…

There are two tools I utilize to create this and build my list. And both pay me to promote. (So do your own research.) One is called Aweber. And the other is called LeadPages.

Aweber manages my professional email correspondence and helps me avoid ending up in the Spam trap. And LeadPages links with Aweber and helps me come up with really awesome subscriber forms like the one you clicked above.

As a rule of thumb, never email blast from your own servers. Always use a 3rd party email marketing company that insists on something called a double opt-in. A double opt-in means that after people submit their name and email to your list, they will still need to check their email for a confirmation link.

Then in each subsequent blast, the email will always provide an easy way to unsubscribe.

For a recap, here are the three steps you take to get started with email marketing for your movie.

  1. Come up with a “lead magnet.”
  2. Get started with Aweber (they pay me.)
  3. Link Aweber to Leadpages (they also pay me.)

Collect Email From Your Movie Website

In the context of movie promotion, several other movies do this really well. Check out Food Matters, Camp Takota and Forks Over Knives. Each example is a highly successful movie. And one major reason for this success is, you guessed it:

Email marketing for movies!

As you can see, most of these movie websites are very streamlined, usually limited to trailer as well as an opt-in form. This is intentional. Above all else, building an email list is essential for the long term success of these movies, selling related merchandise and subsequent sequels.

Copy this strategy for your own movie website! Like these other filmmakers, start collecting names and email addresses of prospective audience members as soon as you can. Or to put it another way:

You are no longer in the movie business. You are now in the audience engagement business.

Through both online and offline marketing efforts, your objective is to grow community around your movie – which could spread positive word of mouth. This could eventually lead to direct video on demand sales! And the other benefit? If you start now, you could begin to grow a list. this can help you while you’re raising money.

Here’s that example again (with the added value of a robust email list.)

BEGIN SCENE

Filmmaker
I’m going to make a movie right here in this town. And I am looking for prospective investors who would be interested in backing the project.

Prospective Investor
Sounds interesting. As you can probably imagine, I have meetings like this every week. Last week someone proposed I should invest in their purple-pine-cone business. They are already profitable. And they are offering me an amazing opportunity with very low risk. Why should I invest in your project?

Filmmaker
We have this really great script, a robust email list of 15,000 raving fans! So far, the responses for this next movie seem favorable. So this at least gives us a direct market base to hedge our bets. Aside from selling the movie directly, many have expressed interest in additional merchandise, like t-shirts. So this offers us a great opportunity to create multiple retail, revenue opportunities.

Prospective Investor
Sounds like you’ve done your homework. Tell me more!

END SCENE

While this is a totally fictional example, I am hoping you see the power of email marketing for movies. Having a plan for email can accelerate the growth of your movie business. And we aren’t just talking your current movie, but all movies moving forward!

sell your movieSometime down the road, long after your movie has played the festivals and sold out on iTunes, you may find there is value in promoting other movies of a similar genre – or better yet, selling your next movie. This is when email marketing for movies really pays off. Remember, with email marketing for movies, the real money is in your list!

If you liked these marketing tips, you will love the sell your movie action pack.