How to Work With a Sales Agent Without Getting Burned

working with a sales agent blog

If you’ve been making movies long enough, you’ve definitely heard the horror stories—someone got “burned” by a sales agent or distributor. But let’s …

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How to Sell Your Film Internationally: The Ultimate Guide

sell movies internationally

So you’ve made a movie, and now you want to sell your film internationally. It’s a smart move—expanding your film’s reach to global …

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5 Simple Steps To Help You Sell Your Movie On The Internet

Sell Your Movie On The Internet

With the release of the iPad, and the new NetFlix application, we now have clear indication that Video On Demand has arrived in a majorly portable way. And while many of you will argue that the iPad is not the most ideal way to watch a movie – few of us can argue that the future of movie delivery has arrived.

How To Make A Living Filmmaking So You Can Quit Your Day Job

make a living filmmaking

In the past, filmmakers made a movie, got lucky and ended up with a BIG paycheck with incremental increases on the back end. These days filmmakers need to think about their movies in ways akin to how traditional investors think about dividends from bonds – once you make the investment, it’s a long term game!

How To Refine Your Trailer For Maximum Buzz (So You Can Sell Your Film)

Refine Your Trailer

Take a look at your trailer. Is your trailer congruent with your hook and the marketing elements we covered earlier? If not, I suggest you recut and refine your trailer to make sure your marketing message is consistent. In doing this you will have to find the balance between showing enough to sell your movie and giving away so much that you spoil the story. And since your movie trailer will be posted on various websites, you should also add a title card with a link to your movie website.

The Shocking Truth About VOD Sales Projections

vod sales projections

Because distribution was once discriminatory, many first time independent feature filmmakers had to hold their breath in hopes their movies would get into a film festival, buil buzz, and (hopefully) garner a great distribution deal, complete with a cash advance. But that is an outdated model.

The Shocking Truth About Modern Moviemaking

modern moviemaking

I don’t give a crap about the idiot Hollywood snobs who would much rather ignore you and your HD camera. And so what if you never worked with Spielberg or for that matter any “name” talent. And who really cares if some band of ivy league film school graduates spent their 30k making an 8 minute, 35mm short, when you decided to make a feature?