As an audio production engineer, I have viewed a lot of independent films and documentaries, and the one thing that stands out more than the quality of the filming and special effects, is the soundtrack, or lack of a proper one. Many independent films and documentaries sound weak or hollow, and in others, the music bed overpowers the dialog tracks.
If you want to make a movie, you can’t do it alone. Networking – Creating and cultivating relationships within the filmmaking community is essential for your success. Today’s guest article comes from Jonny Morgan.
If you’re looking for moviemaking tools, here is my list of top picks…
If you are looking for film distribution, CreateSpace offers a great way to access the Amazon marketplace. But if you have gone through the process, you probably also know that finding the CreateSpace Phone number and reaching someone in the customer service department can be frustrating. But not anymore…
Give this to a filmmaker – with the holiday season soon beginning, I thought it might be good to start giving early. Quick …
in the spirit of your own filmmaking success, I am going to offer you a Movie Maker Challenge for 2012 (Yeah, it might seem too early to set goals, but I think you’ll be OK…)
I know a guy who came to Hollywood. He was a pretty good director. To achieve his goal, he convinced a bunch of people to work with him. Promises were made. Agreements were signed. He did or said anything it took to achieve his goal – And as a result, he directed his first feature. But he…
Today’s Filmmaking guest article comes from U.K. based writer, director and producer Suzie Halewood. Her and I got the opportunity to meet during her last visit to Los Angeles. And I was very much impressed with her story and experience. Today she shares…
In this filmmaking article, Los Angeles based producer Jason Brubaker shares a secret on movie marketing…
As a filmmaker, if you’re interested in buying a Canon DSLR camera, I would go with the Canon T2i. If you have the budget to buy the Canon 5D Mark II – hold off…
As a filmmaker, before you make your movie, you have to seriously decide if you can stay excited about your story for the long haul…
It would seem strange to utilize Facebook in an attempt to get a lunch meetings with prospective Hollywood Heavyweights whom you never met.But in the world of LinkedIn, as long as you’re not a jerk, it is appropriate to seek out and connect with prospects.
Over the past few years video technology has evolved so to the point that even the smallest cameras can produce cinematic results. With that said, camera technology will never replace camera technique. So the question is, what are you doing to improve your own video skills?
In Britain all the film talk is about a low-budget film that’s been breaking UK box-office records. I think it offers some lessons on how to make a successful indie film…
Are you afraid to start selling your movie on iTunes and Amazon and Hulu because this will somehow deter traditional distributors turned aggregators from acquiring your movie… So that they can get your movie onto Amazon, iTunes and Hulu? Please explain…
Koo is getting close to reaching his $115,000 dollar crowdfunding goal!
I have a fairly large collection of “pitching sessions from hell” stories, but there was one that stands out because I blew it—afterward. This was early in my career, and actually the pitching session itself went great. The executive loved the idea and commissioned a script for a TV movie. How to apply “show, don’t tell” in screenplays…
For our movie distribution book, we clearly defined our audience: filmmakers who are interested in DIY or Hybrid or P2P distribution methods. Not everyone and not even every filmmaker…
Previsualization – previz – is a buzzword that sounds more complicated than it is. It’s actually something you’re almost certainly doing already…
I see that there’s a one day workshop being offered with the pitch, “Who better to teach you to understand characters than EXPERT BEHAVIOR ANALYSTS?” It’s not my intention to diss the people offering the workshop (which I also why I’m not going to name them)—they are both screenwriters as well as Expert Behavior Analysts and sound like a couple of smart guys with credible credits.
With sites like Indie GoGo and Kickstarter, filmmakers can finally raise money without asking permission. And while the vast majority of filmmakers limit their crowdfunding campaigns to a few thousand dollars – some filmmakers get super ambitious…
Independent moviemaking has changed forever. If you are still holding out for the Sundance dream, you are wasting your time. What is the Sundance dream? It’s the thought that you’ll make a movie, get into Sundance and garner a gazillion dollars…
I often receive emails from filmmaking subscribers asking how they can get their work produced and seen. My response is – grab a …
If you forget everything else about filmmaking success, you must not forget the importance of you audience. Your audience is your business. Without an audience, you have no business…
A few weeks ago, I spoke about independent film distribution at the HollyShorts Film Festival in Los Angeles…
At speaking events, people always ask me questions about DIY or Self-Distribution – usually wondering if these methods are better than handing over all rights for some middle-man to get them into the many VOD outlets. My response is always the same…
I have been writing a filmmaking book. It outlines the whole modern moviemaking philosophy – and originally I thought I would stay with the modern moviemaking theme, and possibly call it “Confessions of a Modern Moviemaker.” While I like the idea because, historically books that begin with the word “confessions” seem to intrigue readers… I also fear the title might be a little too gimmicky. I need your help…
Regardless of distribution technology, your audience still values the visual representation of your movie as a tangible product. And in ways akin to marketing an eBook via Amazon Kindle, you still need a killer design to represent your movie.
Some screenwriters think that just about every screenplay should open with a bang of some kind: perhaps a literal explosion, or a murder, or a chase.Those may well be good choices for certain stories, but my take on this is that what an opening actually needs to do is to prompt two questions and one feeling in your audience…
Here is a great filmmaking article over at No Film School detailing how some no-budget filmmakers garnered over 200K by selling their movies on iTunes.