To avoid having any one element of foreshadowing be too obvious, often the writer will throw in some red herrings–some things that could be foreshadowing but in fact don’t pay off or pay off in a different way than we expect. The person who has the gun in the drawer may become an immediate suspect in our minds, but later maybe we see him use it to light his cigarette and we realize it’s not a real gun (of course he may have a real one somewhere else….). That kind of misdirection keeps the audience guessing.
Are you wondering how to pitch a screenplay? You’re not alone. The other day I got an email from a writer who had an appointment to pitch her movie idea to a producer and she was in a panic. She asked what tips I could offer. The biggest one: Keep It Simple! When I was […]
If you want to write a good movie, you need to give your screenplay emotional intelligence. “Chasing the Monster Idea” is a book by Stefan Mumaw in which he identifies seven questions that will help you determine whether you have a “monster” idea rather than just a good one (or a bad one). These questions also […]
Do you want to write your screenplay faster but without giving up quality? Here are the top tips based both on my own experience in writing more than 100 episodes of TV as well as TV movies, a feature film, and script doctoring, as well as the experience of top writers I’ve interviewed…
A New York Times article stated that the producers of the Lincoln film are faithful to history—except for the part about vampires. The premise is that vampires killed Abe’s grandfather and mother so he vows to kill all the evil beings. And he wears a really cool long coat in which he can hide vampire-slayer weapons.
When writing a screenplay, there are lots of questions you can ask about your characters to get to know them better. Read this Filmmaking Stuff guest article from screenwriter Jurgen Wolff.