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How NOT To Get Your Screenplay Read (For Smart Screenwriters)

Get Your Screenplay Read

A few years back I had the first draft of my first screenplay ever. Like a lot of folks who dream of Hollywood success, I was eager to share my work with the world. Problem was, I had no idea what I was doing. Through a friend of a friend, I was put in contact with an “entertainment attorney.”

How To Survive The Movie Business

survive the movie business

Surviving the Movie Industry in times of change is similar to surviving other industries going through change. Necessitated by the need for cash (survival), many of you will be forced to see the world as an entrepreneur. Even if you aren’t ready, you may have to learn how to produce your own profitable movies…

Filmmaking Secret Revealed: What They Don’t Want You To Know

filmmaking secret

While it’s safe to provide projections – any investor with any business experience will understand that each project carries it’s own risk to reward ratio. Your goal as a filmmaker is to help mitigate these risks as best you can.

The 5 Immutable Laws of Successful Filmmaking

successful filmmaking

Serious indie filmmakers stop at noting until the movie is actually in the can – or these days – in your hard drive. Still if you’ve been working to make movies for any length of time, you know there are days when you hit obstacles, sometimes so seemingly insurmountable that you just want to give up on your project. Don’t do it!

How To Pitch Your Film Project To Prospective Investors

pitch your film project

Assuming you have met with a lawyer and figured out a way to protect yourself legally – If you aren’t afraid to hear the word “NO,” then what is stopping you from setting up a meeting and presenting your ideas to prospective investors? It doesn’t always mean you’ll get the money (if it were easy, everybody would be doing it.) – but it does mean that every NO is one no closer to YES!

How To Make Your First Feature Without Going Bonkers

first feature

Sooner or later the filmmaking bug hits you. . . It’s like a far off voice or compulsion. But like breathing, for the serious independent filmmaker, the need to make a feature is always present.