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How to Take Charge of Your Film Scheduling

film scheduling

For those of you considering producing your first feature, Film Scheduling is an invaluable part of the process. Your 1st AD is in charge of taking your screenplay, breaking it down and providing the initial schedule. That information is later used to budget your movie.

New Screenwriting System

Based on my decade making movies (and prior to that, reading and writing coverage for a producer in New York City) – I have created a product that will provide you with a step-by-step, fill in the blank approach to writing a movie script.

Interview with Norman Berns

Norman C. Berns is an Emmy-winning producer and director. Beginning as a stage director, the full scope of his production work includes features and documentaries, TV series and commercials. As a member of DGA, SAG and Actors Equity, Norman has been creating films and preparing budgets, schedules and business plans his long career. Today Norman stopped by Filmmaking Stuff to share his thoughts on filmmaking…

Filmmaking Goals for 2010

As a filmmaker, I assume your primary goal is to make movies. But as you know, making a movie requires many steps. So to plan your next movie as well as some of other big whoppers you wish to accomplish, I suggest breaking your goals into smaller and smaller chunks… And then finally break them into small enough chunks so you can include them in your list of daily tasks.

Richard Abramowitz Talks About Independent Movie Distribution

Movie Distribution Action Guide

Richard Abramowitz is president of Abramorama, a consulting firm specializing in the production, marketing, distribution and representation of independent films. Earlier this week, Richard took a few minutes to chat with Filmmaking Stuff and answer questions regarding the current state of independent movie distribution…

Make a Movie Poster

While making a movie poster is essential for certain aspects of independent film funding, as new and exciting options for independent movie distribution become available, the need to print a physical poster may become secondary to building your online film marketing presence. In today’s filmmaking article, we discuss some reasons why a poster is a good place to start…

Radio Interview – Indie Filmmakers Talk

In the essence of “Write it, Shoot it, Work it,” Jason Brubaker of Filmmaking Stuff chatted for about an hour or so on the mindset of an Independent Filmmaker… We focused on filmmaking in the New Digital Era as well as helping Filmmakers get their projects to the world. I shared the airwaves with Terence Dudley of Queinten Entertainment and Stanley Lozowski, Producer.

Extreme DV Interview with Rick Schmidt

Rick Schmidt has written, directed and produced over 20 features which have premiered at major national and international film festivals all over the world, including Sundance, Berlin and London. His best selling filmmaking how-to books, Feature Filmmaking at Used-Car Prices and Extreme DV at Used-Car Prices have influenced countless up-and-coming filmmakers and many noted indies, including Kevin Smith and Vin Diesel. In this filmmaker interview with Filmmaking Stuff, Rick Schmidt offers filmmaking advice to up-and-coming filmmakers on how to go out and make a feature now!

Filmmaking Stuff Video

Filmmaking Stuff was created to share all the “gee, I wish I knew then what I know now” sort of stuff. Please feel free to read every article on the site… If you like what you read, sign up for the free 21 part filmmaking mini-course. It’s packed full of all sorts of tidbits.

Interview with Chris Ward

Chris Ward is an independent filmmaker currently residing in Stamford, Connecticut, which is about 35 miles outside New York City. Chris spent many years producing documentaries for Network television. He also teaches filmmaking at Quinnipiac University and the Maine Media Workshops. Fog Warning, his second feature, was just picked up by Wonderphil Productions and he has agreed to share his experience with Jason Brubaker of Filmmaking Stuff…

My Filmmaking Story – Part 4 of 4

Somewhere between then and now, I relocated to Los Angeles, spent time working as an executive for a fortune 500 Investment bank, started a production company, garnered producer credits on some feature films, became a cult zombie fighting action hero (dream come true!), and made friends with some of the most well respected professionals in the industry.

My Filmmaking Story – Part 3 of 4

The next day, I was on Amtrak, headed into the heart of Manhattan. When I got off the train, things moved quickly. I had never worked in New York prior to this. The producer met me Penn Station, took me to the location, and gave me a list of things needed. I started the day fetching coffee and lemon lime seltzer water, and bagel