Because I’ve written a few books about screenwriting I sometimes get questions from people just starting out on their careers. One query that has started coming up more often recently is whether it’s better to chase the Hollywood dream or get involved with indie films, including ones made for the web…
Since taking on the role as the interim Director of Operations for Distribber, I have found that many indie filmmakers are interested in finding out how to distribute their titles on Netflix. So I figured it wouldn’t hurt to provide some details and save you headaches…
Do you remember retail DVD distribution? Do you remember walking into a video store and renting a video? Those days are gone. The demise of retail DVD distribution means that you can no longer depend on some video rental chain to buy 5,000 copies of your DVD. The advent of the internet…
I love Kevin Smith’s attitude towards modern movie distribution. If you’re like most independent filmmakers, what Kevin was able to accomplish from his days of Clerks has been amazing. Back then, he not only dreamed the Sundance Dream, but he realized the dream as well.
As a result of lower priced production equipment, coupled with non-discriminatory distribution, YOU can make, market and sell your movie this year and you don’t need to ask permission.
A lot of filmmakers (who do not have website traffic) are being fed the idea that “content enablers” will magically source an audience. When I wrote the post about website streaming, I did so more in response to the never-ending slew of emails I get from various PR firms trying to push the next streaming gizmo for indie filmmakers – none of which solves the blatant problem of actually getting enough people to watch the movie…
