If you haven’t thought about it already, consider what experience you want people to have. One way to focus on this is to write the review quotes you’d like to see when your film has been released–“A thrill ride that keeps you on the edge of your seat,” or “A hilarious look at parenthood that also makes you think,” for instance. Then, as you write or rewrite, make sure you deserve those quotes.
An interesting twist on the old “write what you know” adage comes from aspiring screenwriter Mark McCann, who also is a policeman. One …
Since starting Filmmaking Stuff, many screenwriters have written me, asking if I could provide advice on how they can protect their screenplay from theft. I usually tell screenwriters that most producers will not go through the process of raising a gazillion dollars without compensating the screenwriter fairly.
Or it may be that in the middle of my script things drag along too slowly–a common problem of first drafts. In that case, reminding myself that the traditional story model calls for escalating conflict can lead to better consideration of how I can add incidents that ramp up the tension and drama.
For filmmakers and screenwriters alike, one of the great things about Jurgen is his ability to make things happen. As you will read in this week’s Filmmaking Stuff guest article – When Jurgen was starting out, he quickly learned to stop asking permission and as a result, he carved his screenwriting career.
Earlier this week, veteran Hollywood screenwriter Jurgen Wolff stopped by Filmmaking Stuff to offer three valuable screeenwriting tips and also, tell you about his upcoming writing workshop in Las Vegas.
If you’re a writer, or a writer director or a writer-director-producer, or simply a producer working with a writer, sooner or later it …