Filmmaking rejection sucks. Sometimes you pitch and idea and it falls flat. If you’re new to filmmaking, you may feel as though a failed pitch is the end of your career. But it’s not.
As with all businesses, some concepts sell better than other concepts. So it’s important that you maintain a long term perspective.
How To Deal With Filmmaking Rejection (Like A Pro)
A few months back I sat in on a panel discussion where a few established producers shared their stories of success and failure.
During the question and answer session, a filmmaker from the audience stood up and boldly pitched his TV series idea (political subject-matter) to the producers. After making his pitch, he asked:
“What do you think?”
One of the producers responded, saying the idea could be interesting with the right execution.
“Would you consider making it?”
The producer responded that making a series wasn’t really her focus or skill set. She clarified that her focus was narrative family films, targeting the international market.
Upon hearing this, the filmmaker got visibly agitated.
“Why not? Surely my idea has global appeal?”
This sort of heated questioning went on for an uncomfortably long time, until the producer finally said:
“Look. It’s not what I do. I don’t produce television.”
At that point, the filmmaker scoffed out of the auditorium.
My point here is this:
1. Pitch With Style: While I commend this filmmaker for his boldness, his communication style was not attractive.
2. Know Your Buyer: As the saying goes, the dog was barking up the wrong tree. The producer does not produce documentary television. So the odds of getting her interested in his show were very low.
3. Your Reputation Matters: Instead of focusing on making a good impression and possibly building a long term relationship with the producer (and other filmmakers in the audience) this guy choose to get upset and bail.
Pitching and facing filmmaker rejection is an experience shared by all of us. It’s part of the challenge. And it is part of the fun.
And remember. Just because a prospective “buyer” rejects one opportunity, there is nothing stopping you from finding someone else who has the completely opposite perspective.
I can’t stress this enough. You cannot “level up” your career without the support of other people who like you and trust you.
If you are not facing filmmaking rejection daily, you’re not pushing hard enough. And in your hustle, always focus on relationships first, and the business will follow. And while you’re here, make sure to check out Filmmaking Stuff HQ.