The sound crew starts their day by assuring themselves that every piece of hardware they have works flawlessly. They post a header and test tone at the start of every days work.
In Britain all the film talk is about a low-budget film that’s been breaking UK box-office records. I think it offers some lessons on how to make a successful indie film…
I love Kevin Smith’s attitude towards modern movie distribution. If you’re like most independent filmmakers, what Kevin was able to accomplish from his days of Clerks has been amazing. Back then, he not only dreamed the Sundance Dream, but he realized the dream as well.
If you’re like most filmmakers, you have a website for your movie. And odds are good you are trying to fit too much into it. So the first thing you need to do is remove all the distracting crap. Whenever I mention this at a talk, invariably someone asks me how to determine what’s distracting? It depends on your website objective.
As a result of lower priced production equipment, coupled with non-discriminatory distribution, YOU can make, market and sell your movie this year and you don’t need to ask permission.
A lot of filmmakers (who do not have website traffic) are being fed the idea that “content enablers” will magically source an audience. When I wrote the post about website streaming, I did so more in response to the never-ending slew of emails I get from various PR firms trying to push the next streaming gizmo for indie filmmakers – none of which solves the blatant problem of actually getting enough people to watch the movie…
A recent article entitled, “Should We Accept That Indie Film Is Now A Hobby Culture?” caught my attention. I thought it was worth sharing.
You’ll see my comments under the article. Please feel free to add your own.