Are you looking to sell a movie to NetFlix? In this filmmaking article, producer Jason Brubaker discusses the pros and cons of selling your movie to NetFlix
As filmmakers, we are in the midst of a major movie distribution paradigm shift. Traditional theatrical release models as well as DVD sales channels are being replaced by video on demand platforms. These changes have forever altered the ways in which movies are seen and sold. As a consequence, getting into Sundance and selling your […]
A lot of filmmakers (who do not have website traffic) are being fed the idea that “content enablers” will magically source an audience. When I wrote the post about website streaming, I did so more in response to the never-ending slew of emails I get from various PR firms trying to push the next streaming gizmo for indie filmmakers – none of which solves the blatant problem of actually getting enough people to watch the movie…
Since starting filmmaking stuff, I’ve noticed an increase in the amount of spammy hype emails promoting new filmmaking technologies that allow filmmakers to stream their independent movies. While many of these companies have a cool concept, the truth is, I think many of these streaming solutions are a waste of time.
Because many traditional DVD distributors will add NO VALUE to your VOD strategy. They will simply get your movie into the marketplace and suck your profits for the extent of your contract. And since most traditional distributors do not understand the VOD market, they will grab any title they can and hope for the best.
Filmmakers aren’t like normal business people. Marketing a movie is not considered part of the normal day-to-day process. But in other industries, marketing is just an aspect of business. This makes a lot of sense. In the old days, your success as filmmaker depended on your ability to create an unproven product. And if your product (or in this case, your movie) did well with audiences, it was picked up, marketed and sold.