You don’t really want totally arbitrary events in your script, but if you need to capture their attention, put it in and then in the next draft work your way backward in the story so it has some motivation…
If you’re writing a script to be read by someone who is possibly going to buy it, you want to make it as easy and entertaining as possible. Yes, it’s easy to overdo the parentheticals, ideally your dialogue itself suggests how it will be delivered. But when it helps, go ahead. A sarcastic remark from an actress is not too high a price to pay.
I’m pretty skeptical about script contests as a way to further your career. There are success stories but I think they’re the exception. So I was interested to read the view of Chad Gervich on the Script website. He says that winning a script rarely gives you the edge
Even the Bible says there’s nothing new under the sun, and that was quite a while ago. Generally creativity means the combination of existing elements to produce something different from either of them (and, ideally, more useful or interesting than either of them alone).
If you haven’t thought about it already, consider what experience you want people to have. One way to focus on this is to write the review quotes you’d like to see when your film has been released–“A thrill ride that keeps you on the edge of your seat,” or “A hilarious look at parenthood that also makes you think,” for instance. Then, as you write or rewrite, make sure you deserve those quotes.
An interesting twist on the old “write what you know” adage comes from aspiring screenwriter Mark McCann, who also is a policeman. One of his shorts was produced and has won some prizes and one of his feature scripts has just been optioned–for the fifth time. He told Arkansas Online: “I try to avoid writing movies […]