To avoid having any one element of foreshadowing be too obvious, often the writer will throw in some red herrings–some things that could be foreshadowing but in fact don’t pay off or pay off in a different way than we expect. The person who has the gun in the drawer may become an immediate suspect in our minds, but later maybe we see him use it to light his cigarette and we realize it’s not a real gun (of course he may have a real one somewhere else….). That kind of misdirection keeps the audience guessing.
Film
Warning: How NOT To Find Investors For Your Movie
Those who know me know that I’ve devoted much of my career on how to find investors who fund movies. And those who’ve listened to me speak or watched the Bankroll Your Movie video series, have heard me rant about the fact that most people telling you how to find investors have no idea how […]
What Every Filmmaker Ought To Know About FU Money
In some place in the back of your mind, when you reach for your credit card, you find yourself thinking: “I can afford this. Someday I’ll make my movie and sell it for a gazillion dollars. And then I’ll pay off my bills…”
5 Screenwriting Secrets Every Writer Should Know
In this filmmaking article, producer Jason Brubaker talks about the importance of screenwriting and having a good screenplay.
How To Make Your First Feature Without Going Bonkers
Sooner or later the filmmaking bug hits you. . . It’s like a far off voice or compulsion. But like breathing, for the serious independent filmmaker, the need to make a feature is always present.
How To Deal With Filmmaking Rejection (Like A Pro)
One way I mitigate this “all eggs in one basket” approach to filmmaking (and business) is to always have projects in various stages of development. This allows you to check one rejection off the list and put your focus into the next. And just because one prospective investor rejects one opportunity, there is nothing stopping you from shopping around…
