There is a lot of talk about the difference between a “real movie” and a “back yard Indie.” In this article we explore modern, no-budget filmmaking.
With the release of the iPad, and the new NetFlix application, we now have clear indication that Video On Demand has arrived in a majorly portable way. And while many of you will argue that the iPad is not the most ideal way to watch a movie – few of us can argue that the future of movie delivery has arrived.
With the demise of traditional DVD distribution, you as a filmmaker are responsible for your audience. Why? Because your audience is your business – and without an audience you will have no movie business. Having an audience database for your movie is essential…
While creating creating community around your title, building buzz and increasing your fan base is both challenging and fun, a lot of filmmakers have no idea how to get started. In this regard, one of your first steps is to determine if your movie is ready for the marketplace
Brian Norgard is the founder of Chill. And today he stopped by Filmmaking Stuff to share news about the Vigilante Diaries, which is also the first series ever to use the “episodic funding model.” In full disclosure, I manage film acquisitions for Chill – at the same time I thought the filmmaking community would benefit […]
“If you want to make a living making movies, you need to realize that your library and the subsequent audience you source (over your career) are your major assets. And, as a result, your most important filmmaking focus (aside from doing good work) is to acquire and keep a customer,” he emphasizes.