Filmmaking Tip: How to make it in Hollywood.

The Lumiere brothers

Filmmakers with a strong vision for what they want can make it. Image via Wikipedia

Making movies is both awesome and incredibly challenging. And becoming a professional filmmaker requires a certain amount of dedication that is easy to talk about – but not always easy to live by.

In my filmmaking career, I’ve experienced heartache as well as the surreal, super exciting moments that come when people get to know me and my work. Making stories and building an audience that supports our work is the reason we do what we do.

But in order to get from point A to point B, it is essential that you create a clear and exciting vision for your filmmaking future… Because (believe me) you’ll need something exciting to focus on, should things get challenging…

… And as a filmmaker, things always get challenging.

I have known many people who started out their filmmaking careers with all the movie making passion, energy and enthusiasm in the world, only to drop their dreams at the first sign of trouble. Other friends have disappeared without ever making a movie. And one of my friends went crazy, stole a bunch of money from his filmmaking team and left town.

Why? Because creating a dream for yourself and paying the price, (no matter how hard) to realize your potential -  that’s the tough part.

I’m serious about this. Making a career making movies is a long term game. It won’t happen over night. In fact, success probably won’t find you on your first feature or your second feature film. So you have to get tough.

Here is a strategy worth applying to your own life: One of the mental attributes that all successful people share in common is a never ending ability to keep their eye on the prize. And if you’re looking for the secret formula for all your filmmaking success, it is this: patience plus unyielding persistence in a face of adversity will get you through a tough spot. NEVER give up!

GOALS

Here is what separates the professional filmmaker from the horde of crybabies.  They have goals. And you should too. And I’m not just talking general stuff, like “Hey, I want to make movies and get rich and all the crap.” Who doesn’t (on some level) want the things that sort of lifestyle offers?

But what I’m asking you to do today, dear filmmaker is to set very specific goals for your filmmaking future.

What does your ideal future look like?

In order to create meaningful success in both your filmmaking career and your life, you MUST get a clear idea of what you want. This will involve not just setting goals for yourself, but actually taking out a pen and writing them down.

The following actions will help you hone in your movie ideas, your money ideas and also help you paint a picture of the wonderful life you want to live:

ACTIONS

  1. Take out some paper and write down three ideas for movies you want to make in your lifetime.
  2. How much money would you like to have?
  3. How much money do you have now?
  4. What will you do to get the money you need?
  5. The people you hang out with will influence your success. Are you hanging out with people who share your vision? Or, are you hanging out with negative people?

After this, you’ll get a pretty good idea of where you are and where you want to go. From there, you can begin to take steps in your desired direction.

Here is an affiliate recommendation. A few years back, I stumbled upon the following audio program and even though it talks about general goal setting, I totally thought it was a great tool for helping me refine my own filmmaking goals: Master Strategies for Higher Achievement: Set Your Goals and Reach Them – Fast! (Your Coach in a Box)

I don’t know if I’m hitting a nerve with you or not. But long before I made my first money making movies, I can remember driving around my small home town dreaming of a time when I would not only have a few features under my belt, but I also dreamed of a time that I could share my experience with you.

If you find yourself faced with filmmaking self doubt, you’re not alone. The important part is that you at least get a picture of what you want that is very specific. Then you should take time to work backwards. And who knows, maybe a decade from now we will be working on movie projects together.

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How To Break Into The NEW Movie Business

This is icon for social networking website. Th...

Social Media is not always the best tools for Filmmakers. Image via Wikipedia

If you’re a filmmaker, wondering how to break into the NEW movie business, then you’re not alone. There are a lot of changes taking shape. Some are exciting and some are super scary.

Luckily many of these changes represent great opportunities for ambitions filmmakers.  (And yes, this is a continuation of my article on how to make a living filmmaking.)

Allow me to explain. . .

Our first feature DID NOT garner a traditional distribution deal. Like a lot of filmmakers, we thought that the lack of a deal was synonymous with a lack of success. And outside of the financial returns, we really wanted validation.

But that didn’t happen. Months in the festivals resulted in a lot of talk, but no contracts. So we gave up… Almost.

But the one thing we had going for us with that feature was a marketable hook – The story was controversial and a bit “wrong.”

This enabled us to get the attention of David Strick who came to set, snapped some pictures and sold one of the shots to the now defunct, Premier Magazine.

After that issue of Premier hit the stands, our movie went viral. In a very short time, we had over 100,000 unique visits to our movie site. And while I would like to say this changed our life, it didn’t. Unfortunately, we were not ready to leverage this power – nor were we able to realize the power of website traffic. In fact, we even tried to leverage the traffic as a reason to actually get a traditional distribution deal – Ha!

Why do I say “Ha?” Certainly it is reasonable to say: “Dear traditional distribution company, we have almost a quarter of a million people who know about our movie. Can you please give us a deal?” And if you’re a traditional independent filmmaker thinking in traditional ways, then touting website traffic seems perfectly reasonable, right?

WRONG! That was 2005. We were stupid.

Knowing what I now know, our most important objective would have been to focus less on traffic, and focus more on getting visitors onto our audience list.

From now on,

  1. We could have created solid relationships with our fans and made them part of the process.
  2. People don’t usually buy the first time they come to a website.
  3. Later we could have asked our fans to “buy now.”
  4. If we had garnered a distribution deal, we could have helped promote our movie to our audience.
  5. But most importantly, we could have created a prospective customer base for LIFE.

Now before I bash our marketing efforts too much – we did have a MySpace page. Out of that, we managed to get a few thousand folks to become our MySpace “friends.” And after the movie release, quite a few of those folks DID buy our movie. But we soon learned a major lesson  – once your social networking site goes out of vogue – your entire filmmaking audience list becomes worthless.

So again – it is best to focus on getting people onto a LIST that YOU control. To help you avoid my mistakes, here are TWO audience building list services that I affiliate with (because I use them):

  • www.AudienceList.com allows filmmakers to capture leads from their movie website, build a mailing list, set up email newsletters and add sequential email auto-responder.
  • www.ProVideoTool.com allows filmmakers to capture leads from their movie website, build a mailing list, set up email newsletters and a sequential email auto responder. But unlike the previous system, this one allows you to send your emails via video!
  • And just in case you don’t have a movie website – www.MovieSiteHost.com allows filmmakers to easily get hosting, a domain name and set up a website for their movie.

Those are the affiliate sites that I use for my own filmmaking business. And I think each offers a great service for those of you who would rather make money with your movie than let it collect dust on your book shelf.

And just in case you’re wondering, our first feature is still selling like hot cakes. More on this in upcoming articles…

- – -

If you would like my 90 page filmmaking book for free, go here:

www.FreeFilmmakingBook.com

Jason Brubaker
An LA Based independent motion picture
producer
specializing in internet marketing
for YOUR
movie so you can get MORE buzz,
get MORE
followers and have MORE fun!

Three resources you can grab right now:

1. Fat-free Movie Making ideas for those of you
who hate asking permission:
http://www.FreeFilmmakingBook.com

2. Follow me on Twitter to get cool micro-ideas
on how to make your movie now:
http://twitter.com/filmmakingstuff

3. Connect with me on FaceBook so you
can tap into my 300+ Movie Maker connections:
http://www.facebook.com/pages/Filmmaking-Stuff

Brubaker Unlimited LLC
6767 Sunset Blvd. #153
Los Angeles, CA 90028

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Learn Filmmaking Without The Fluff

As a filmmaker, you may start your career learning how to fetch coffee.

As a filmmaker, one of your first jobs might be fetching coffee. Image via Wikipedia

When I was first starting my filmmaking career, I thought long and hard about the prospect of film school. At the time, I figured a degree from one of the top film schools would increase my odds of garnering success. Now, after having worked in the game for awhile, I can honestly tell you that very few people, if any, have asked me where I went to film school.

Here are 5 Filmmaking Tips So You Can Learn Filmmaking Without The Fluff:

  1. Your Film School Degree Will Collect Dust: Nobody cares where you went to school. They just care if you can contribute value to their professional lives and their movie projects. (By the way, I’m not saying you shouldn’t go to college. I’m just saying that unless you plan on becoming a film professor – get a degree in business.)
  2. Learn How To Sell: In the film business, people with sales skills can write their own ticket. Start learning how to sell.
  3. Your Material Rules: Control good material and you’ll have something to sell. What is good material? Great screenplays. Seriously most screenplays suck. If you’re confused about this one, refer back to #2
  4. Be Nice To Everyone: The PA fetching coffee today will control your job tomorrow. (Or one day, in addition to making movies, he might just own one of the most prolific filmmaking website in the world.)
  5. Don’t Ask Permission: I say this over and over, but many of you are still knocking on doors, hoping that somebody will discover you. Don’t do that. Unless you have GREAT MATERIAL, that everybody wants, chances are nobody cares about your movie project more than you.

Anyway – If you like these tips and want more of them, I am giving away my latest book for free. I do this because it helps you avoid all my silly filmmaking mistakes. And it helps me promote myself. To claim your free Filmmaking Book, go here:

www.FreeFilmmakingBook.com

If you like this filmmaking stuff, make sure you tell your friends that Los Angeles based indie producer, Jason Brubaker gives away some great filmmaking stuff!

"Kick Hollywood In The Face! New Filmmaking System Reveals How To Make Your Movie Now!"

Get your FREE filmmaking book below.

Free Filmmaking Book Written By Jason BrubakerDiscover. . .

* The top 5 movie mistakes 99% of all filmmakers make and how to avoid them!

* How to meet rich friends and finance your movie!

* 7 shortcuts to overcome blank page anxiety, so you can bang out a script!

* How to bust through BS and sell your movie for maximum profit.

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Professional Filmmaking Process – When To Make Your First Feature

Jason Brubaker - Los Angeles Based Indie Film Producer

Sooner or later the filmmaking bug hits you. . . It’s like a far off voice or compulsion. But like breathing, for the serious independent filmmaker, the need to make a feature is always present.

BEFORE YOU GET CRAZY

If you’re not making short movies with your friends, making a feature will be like running a marathon before you know how to walk.  SO, before you make your first feature film, do this:

  1. Spend the next couple of months making little movies with your friends.
  2. Read EVERY screenplay you can!
  3. Constantly write and refine your feature script.
  4. Cultivate relationships with rich and successful people.
  5. Avoid anyone in your life who sucks your filmmaking energy.

The Result?

Follow this system for the next six months and you will have no more excuses. You will diminish a large portion of fear regarding your movie making future. Sure, you’re about to formally enter the club of feature filmmakers. And this transition, like any, can represent change and fear of the unknown can be spooky.

But push through your fear and  the cumulative knowledge and experience you’ll gain is more than most wanna-be filmmakers will learn in a decade.

What are you waiting for?

Think of it this way, the average American lives for only 27,010 days (Just take 74 years multiplied by 365. Honestly, I don’t know if 74 years is the average or not. But 74 years old seems like a pretty good age.) Break your life into days, how many days do you have left? Not as many as you thought?

Well then, what are you waiting for? Create your career in the movie industry!

I’m serious about this. I know you’re reading these words right now because you want to make movies. Well, I’m here to remind you that it’s possible. But you must first take action! So without further adieu. . . Make Your Movie Now!

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