Filmmaking Stuff provides resources for independent filmmakers. The website includes filmmaking articles on how to take a story idea from script to screen, including articles on scriptwriting, producing, film finance, shooting, editing, directing, marketing, distribution and how to build an audience. Filmmaking Stuff also has articles detailing how to make money making movies – including [...]
Couple this paradigm shift with the demise of DVD sales channels, and a lot of traditional distributors are now offering VOD deals to unsuspecting filmmakers, in the hopes something sticks. These folks usually promise filmmakers the validation of getting their titles into iTunes.
I think one of the biggest challenges writers face is an unrealistic standard of perfection. And as a result, it’s easier to talk about writing without actually writing. So let me offer you a strategy – don’t be afraid to write a crappy first draft. And second to that, don’t be afraid to suck.
Listen. If you’re an ambitious writer, I’m going to tell you a secret. There is no better feeling in the world than the day you stop sending query letters and instead, you start producing your own work. For years and years, you have dreamed about seeing your work on the big screen. You know you’re good. So why ask for permission?
So if you happen to be one of those filmmakers with tons of ideas, but no feature credits, I highly suggest you focus less on finding someone to do the heavy lifting and instead, focus on testing the market to gain a realistic approach to your projects.
Sometimes I think filmmakers do things just because they believe it’s the way things HAVE to be done. That doesn’t necessary make it right. And admittedly, I’m not always right. But how I conduct my movie business works for me. And if you’re reading this, I assume you’re looking for some perspective just a little left of center. So here we go.
