Always Sunny in Philadelphia has become one of the biggest hits on American television. Charlie Day is an actor, writer and executive producer of the hit series, and he took a few minutes to stop by Filmmaking Stuff to chat about the show…
Over the past four years, Jenn Page has directed four Independent feature films. Having worked with some of Hollywood’s top talent, she stopped by Filmmaking Stuff to share her lessons learned as a director. As a director you are completely responsible for everything on your movie set, one way or another. Everything… Of all that […]
If you want to get started making movies, my suggestion is to get started. So many people in Hollywood bounce around for years pretending to do work, when all they are really doing is pretending. Many of these people call themselves producers, yet they have no screen credits and have frankly failed to do anything…
Jon Reiss and Sheri Candler stopped by Filmmaking Stuff a few months back to discuss the new role of the PMD. For those of you who aren’t aware of the term – PMD stands for producer of marketing and distribution. It’s a phrase Jon Reiss coined in his filmmaking book called Think Outside the Box Office.
We’ve all heard many horror stories from filmmakers who were thrilled to find a distributor for their film only to find the film was mishandled, shelved or the company went under with no recourse for the filmmaker to claim their rights back. There are also distributors so coveted for their professionalism and skill at finding the right audiences for their titles that everyone wants to work with them.
As a filmmaker, getting feedback for your movie is essential. In this article, Jason Brubaker provides some tips on how to get the most bang out of your screening party.
Because many traditional DVD distributors will add NO VALUE to your VOD strategy. They will simply get your movie into the marketplace and suck your profits for the extent of your contract. And since most traditional distributors do not understand the VOD market, they will grab any title they can and hope for the best.
So if you happen to be one of those filmmakers with tons of ideas, but no feature credits, I highly suggest you focus less on finding someone to do the heavy lifting and instead, focus on testing the market to gain a realistic approach to your projects.
If you are wondering how to become a filmmaker, you’re not alone. Living in Hollywood, I am surrounded by people constantly trying to answer the same question. The problem is, many would-be filmmakers do not realize there is more than one way to become a filmmaker. Here are 3 ways how to become a filmmaker.