FILMMAKING STUFF Filmmaking Stuff provides resources for independent filmmakers. The website includes articles on how to take a story idea from script to screen, including articles on scriptwriting, producing, finance, shooting, editing, directing, marketing, distribution and how to build an audience. Filmmaking Stuff also has articles detailing how to make money making movies – including interviews with Hollywood Producers, Directors, writers and other filmmaking professionals.

Once your screenplay is complete, how do you get a screenwriting agent? Image via Wikipedia

Somewhere in the world someone has just finished the first draft of his first screenplay – ever.

Full of enthusiasm, the unknown screenwriter breaks out a hammer and puts the final touches on the two brass brads that hold the 90-120 pages together. It is at this point when this writer asks himself the obvious question:

“How do I get my movie script produced?”

This is the point when things get confusing. Should the unknown screenwriter send his screenplay to contests, to agents, to the family friend attorney who is willing to pose as the “entertainment attorney” and hopefully shepard the script through the guarded gates of Hollywood?

Or should the first time screenwriter decide instead to send the work to producers? And what if somebody steals the idea? And why don’t producers accept unsolicited screenplays? UGH!

“Allow me to offer some perspective.”

One of the reasons I am excited you’re reading these words is because I can help you avoid my early mistakes. What I just described was me a decade ago. I was still in York, PA. I had just finished the first draft of my first screenplay.  And frankly, I thought I was brilliant. I thought my story was awesome. And I actually thought Hollywood would just knock down my door.

Of course it didn’t happen like that. After I wrote my script, email was the new thing. So I started sending email querys to various production companies. And surprisingly, a few companies did respond to me. But after I sent out my script, it wasn’t long until I either got a rejection letter or heard nothing. Back then, I still had a lot to learn.

“Would you like me to tell you the secrets of getting your work produced?”

Ok. I don’t have all the secrets. The truth is, if you have an amazing script that is totally polished, marketed towards your intended audience of producer types who have a history of producing your type of work – and you have a way of accessing them and getting your brilliant work read, then your success is (a little more) probable.

But for the rest of us, taking that route is an eroded path and (in my humble opinion) requires that you ask too many people for permission. I mean, doesn’t it make you feel a little whorish to ask so many people for validation? “Please read my screenplay, it’s great!”

“UGH. I hate asking for permission.”

And agents? Forget that route. At least right now. Yes, you can send out query letters and market the heck out of yourself. But if you’re an unknown screenwriter living outside of LA, the odds of getting your work read are slim to none.

Remember, agents make a living getting material sold. And chances are, those folks already have a dozen clients. They don’t have time to take notice of your material unless your work already has buzz.

So how do you break through? Here are 5 screenwriting tips… (But I don’t think you’ll like them.)

1. Quit asking permission. Production is getting less expensive every year. Produce your own material.
2. Seriously. I know it sounds crazy, especially if you never considered producing your own material.
3. Grab a $2000 dollar DSLR camera and start shooting projects on the weekend.
4. Surround yourself with your local film community. Get some help.
5. As your confidence builds, write a feature that can be done on the cheap.
6. I recommend horror comedy or something memorable and controversial.
7. When your script is complete, get a creative production manager to break down and budget your script.
8. Once you have the budget, start raising money.
9. When you get the money, decide to direct or hire a director, cast and crew.
10. Then make your movie.

While I know most screenwriters would rather just write a script and then ask someone like me to produce it – I got news for you, don’t do that. Stop asking permission. Instead, I want you to start thinking like an entrepreneurial screenwriter. I want you to start thinking like a producer. I want you to make your movie now!

Of course, a large majority of screenwriters will think these ideas are bonkers.

If that’s you then please ignore me and keep writing query letters. For everyone else – It is far better to have your work produced than to put it in a dark drawer, even if you have to produce your first screenplay yourself.

Posted under Screenwriting

In a previous post, I mentioned how my world (as an indie producer) would be a lot more fun if all the screenwriters who pitched me movie ideas actually had a finished screenplay. As you probably know, there are lot of folks with amazingly awesome ideas, but for the most part – those ideas never make their way to finished material.

Why is this?

You probably have your own opinions. But I think the major reason more writer-producers, writer-directors and full fledged screenwriters do not finish what they start is based on two very real factors:

1. Fear of rejection. (Well, after you peel away all the excuses and reasons for procrastination.)
2. Lack of a step-by-step screenwriting system to make your good ideas into great movie scripts.

So I wanted to announce a new screenwriting system. Based on my decade making movies (and prior to that, reading and writing coverage for a producer in New York City) – I have created a product that will provide you with a step-by-step, fill in the blank approach to writing a movie script – from the perspective of an experienced indie producer.

If you decide to utilize the system, you will see that the system consists of two parts. The first 50 pages (and over 90 minutes of MP3 Audio recording) is going to provide insight on movie scripts from an indie producer’s perspective.

The second part will provide you with a step-by-step, fill-in the blank, screenwriting template that will allow you to take your ideas out of the air and put them on paper faster than you ever thought possible.

And as you work through the system, you’ll find out what producers look for in a script. You’ll know the 7 surefire ways to get your read and not recycled. And you will also learn a thing or two about producing indie films. (Many of you are writing today, but would like to produce and direct in a few years.) By the end of this, you will know if you should sell your screenplay or produce it yourself.

If you’re interested in getting the system, or learning more, CLICK HERE

Posted under Screenwriting

Image via Wikipedia

I worked for a producer in New York City. It was my job to read, evaluate and write coverage on screenplays in hopes of finding a gem. In one year, I read hundreds and hundreds of scripts. Unfortunately, I only found a couple potential gems and most everything else ended up in the recycle bin. I’ll explain later on how to avoid some of these pitfalls, but first things first.

It’s a Hollywood cliché that everyone has a screenplay. From my experience, most people usually don’t. Most only have the first five pages of a script. Unfortunately, these people will never finish the first draft, even if they have a spark of talent. To separate yourself from this poser majority, I want you to make your someday, today.

It’s really not that difficult to write a first draft. If you think about it, it’s just a matter of sitting down in front of a keyboard and typing. Since most screenplays are around 90 to 120 pages, if you only wrote one page per day, you could have a first draft in as little as 90 days.

But as you probably already know, disciplining yourself to write is the hardest part. For me and most my friends, the actual act of writing takes the most effort. And if you ever sat down to write you know what I’m talking about. As I put these words to paper, it is 3:25PM. I had planned to start writing at noon, but ended up cleaning my bathtub because it was easier.

The hardest part of writing is writing.

Posted under Screenwriting