Filmmaking Stuff Filmmaking Stuff provides resources for independent filmmakers. The website includes articles on how to take a story idea from script to screen, including articles on scriptwriting, producing, finance, shooting, editing, directing, marketing, distribution and how to build an audience. Filmmaking Stuff also has articles detailing how to make money making movies – including interviews with Hollywood Producers, Directors, writers and other filmmaking professionals.

To survive the volatility of indie filmmaking, you will have to change your strategy. As a filmmaker, you will need both a short term game and a long term game.

Short term, you will obviously want to finish your movie.

Long term, because the market is saturated, you will need to think of yourself as a mini-studio, continually focused on building your brand and sourcing your own audience. To achieve this, you will need to create multiple titles over time, resulting in a very genre specific movie library.

While creating a mini-studio may seem beyond the scope and scale of what you think is possible, setting your sights high is much more proactive than ignoring the fact that backyard indies are now competing for the same virtual shelf space as mainstream Hollywood movies. This is a time of change. This is the indie movie distribution equivalent of the automobile replacing the horse-drawn-wagon.

You need to man up.

There will come a day when all entertainment will be on-demand and cheap to consume. The question is, will you ignore this movement and continue to play your distribution lottery ticket in hopes of winning the dream deal?

Or will you start sourcing your audience today?

 

Posted under FILM FINANCING

Independent Hollywood Producer Reveals Secrets On How To Sell Independent Movies For Maximum Profit – Without Middle-Man In New Book That Tells Movie Distribution Companies To Take A Hike!

(Press Release – Los Angeles, CA) Independent filmmaking has been considered one of the riskiest businesses in the world. This is because independent filmmakers traditionally relied on 3rd party movie distributors to acquire, market and reach the audience through tried and true sales channels. But thanks to modern Video On Demand distribution, independent movie makers can now reach their audiences through popular VOD marketplaces without the middle-man.

Video on demand distribution provides filmmakers with easy access to the major online marketplaces such as Amazon and iTunes. Once a title is submitted, filmmakers can then share virtual shelf space with mainstream Hollywood movies. While video on demand distribution represents a easy way for independent filmmakers to enter mainstream marketplaces, this change in distribution represents new challenges.

According to Los Angeles based independent filmmaker, Jason Brubaker, “Filmmakers now need to become comfortable with internet marketing, social media and audience list building… And for most modern moviemakers, this is a huge learning curve!”

Based on his own experience, Jason Brubaker has completed a new system for helping moviemakers get their movies seen and selling. Called The Independent Producer’s Guide To Digital Self-distribution, independent filmmakers can now utilize a step-by-step Action Guide to help sell movies in popular internet marketplaces as soon as possible.

“When our first feature failed to garner a traditional distribution deal, I had two choices. I could have given up and just let our movie collect dust, or I could try to sell the movie.” Luckily for Jason Brubaker, the experiment paid off. Five years later his first feature film is still selling and as a result, he is still cashing checks, prompting some traditional movie distribution companies to take notice.

“Yeah. They called me on the phone and finally offered a traditional deal. But since we were doing so well on our own, it was decided that the deals just weren’t worth the headache. So we told them we would have to pass at this time. Which is funny, because that’s what distribution companies usually tell filmmakers.”

The Independent Producer’s Guide To Digital Self-Distribution provides filmmakers with an easy to follow Action Guide as well as a a built in step-by-step workbook. Once filmmakers work through the action guide, marketing and selling independent movie via internet marketplaces becomes a very simple process.

“I wanted the Independent Producer’s Guide To Digital Self Distribution to be an easy to follow, valuable guide. Once you know this stuff, you’ll probably never consider a crappy distribution deal again.”

To find out more about the Independent Producer’s Guide To Digital Self Distribution, check out www.HowToSellYourMovie.com

Posted under DISTRIBUTION

Thanks to HDSLR technology, any filmmaker with passion and a story can make a feature film. And unlike years past, these backyard indie filmmakers are not prohibited by cash or creativity.

Yet despite this movement, many of my high profile “professional” friends in Los Angeles, have made a conscious effort to ignore the rise of backyard indies. Why?

Because inexpensive HDSLR filmmaking doesn’t count!

I mean, with these movies, common questions asked by Hollywood hot-shots are: Who signed the SAG agreements? Who contacted the Unions? Who notified the MPAA that another movie will need to be rated? Who paid enough people to call this a “real” feature film?

Nobody.

Guess what? Audience word-of-mouth doesn’t care if the movie was an official union indie or a backyard indie made for pocket change. And thanks to the demise of traditional distribution and the increased market domination of iTunes, Amazon and Netflix, the big difference between a $10,000 back yard indie and a $2,000,000 dollar indie isn’t the budget, it’s which filmmaker gets the most clicks on his or her “BUY NOW” button. And to break even on a 2M feature, the filmmaker is gonna need a lot of clicks!

As a rough example, to recoup 2M dollars, the filmmaker will need to to sell (roughly) 200,000 video on demand downloads at $10 a pop. These first sales will cover the 40% cost allocated to VOD providers (the real winners here), after which, the filmmaker will still need to sell an additional 200,000 downloads to repay the investors.

400,000 VOD downloads x $10 = $4,000,000 minus $2,000,000 in VOD fees = the initial $2,000,000

Meanwhile, the filmmaker with a backyard indie only has to sell 2000 VOD downloads to recover the initial 10K costs.

While nobody wants to make movies for pocket change, many filmmakers still believe we can somehow continually produce unprofitable (movie) products and expect the money and the subsequent jobs to keep rolling in. And unlike years past, filmmakers can no longer approach investors with the cliche pitch: “Filmmaking is a risky investment – if we are lucky, we might win Sundance and get a deal.” Now, with transparent distribution options availabe to all filmmakers, that line of give-me-money reasoning is reckless, no longer applicable, and in my opinion, unethical.

Aside from the initial challenge of sales and marketing, the ripple effect reveals an even greater conundrum: How will you raise enough money to pay your cast and crew AND still pay back your investors? I mean, what’s the new sweet spot? How can we once again make independent filmmaking profitable?

“SO NOW THAT I CAN’T AFFORD TO PAY MY CAST AND CREW, WHAT DO I DO?”

Here is the Jason Brubaker model on how to save the movie industry. Ready?

To survive in this ever changing world of indie filmmaking, we have to change our strategy. Instead of making that one big awesome indie, we now need to focus on building a genre specific movie library and spend all of our downtime building a ginormously targeted audience list.

Step 1: Find your top-ten closest filmmaking collaborators. Form a company.

Step 2: Write a business plan, but instead of putting all of your focus on making one movie, concentrate on making 3-5 feature films.

Step 3: Make sure that you include a sales and marketing plan. To do this, take your proposed budget for all movies and work backwards. And start asking yourself, “How many downloads do we need to sell to recoup our investment?”

Step 4: In this model, instead of paying freelance day rates, you’ll have to hire long term employees and provide each with a salary and back end points (sort of like stock options) on each title.

Step 5: When the title wins, you all win. Over the years, your titles will add up. And the real compensation will come back in the form of residual movie income.

While this is not a fully refined model, it’s a start. It’s better than ignoring the fact that backyard indies are being sold right next to Union Indies as well as mainstream Hollywood movies. This is a time of change. This is the indie movie distribution equivalent of the automobile replacing the horse drawn wagon.

You can choose to ignore this movement, and you can probably succeed for a few more years. But there will come a day when all entertainment will be on-demand and cheap to consume. The question is, will you ignore the backyard movement and continue to play your distribution lottery ticket in hopes of winning the dream deal, or will you  join the movement and help us filmmakers figure out a way to make indie movies profitable?

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Jason Brubaker is a Hollywood based Independent Producer, PMD (Producer of Marketing and Distribution) and an expert in digital self-distribution. He is focused on helping you make, market and sell your movies more easily by growing your fan base, building buzz and creating community around your title. To learn more about Jason and grab over $100 dollars in FREE filmmaking Tools, CLICK HERE

Posted under FILM FINANCING

If you’re filmmaker seeking practical filmmaking tips you can use TODAY, I’d like to share some thoughts with you.

The world of filmmaking is changing. Producing content is getting cheaper. And distribution outlets are becoming increasingly accessible. While these changes have not fully hit mainstream Hollywood, you can rest assured that it’s only a matter of time until the ripple effect has a leveling impact.

And when these changes hit, will you be ready?

Here are my 5 filmmaking tips on how to prepare for these changes.

1. Filmmaking Tip #1 – Build Your Fan Club. Like any business, in order to prosper, you need to create, build and keep customers. For filmmakers, this means building an audience of people who like your work. (If you like this website, you can sign up for my fan club by going here: http://www.FreeFilmmakingBook.com)
2. Filmmaking Tip #2 – Create content. If you’re serious about your filmmaking future, you need to have a YouTube page and you need to be making creative short movies at least every month. Why YouTube? Because I believe the site will become a hub for Video On Demand movies, they are owned by Google and YouTube allows you to create community around your work.
3. Filmmaking Tip #3 – Create new products. Every business needs to sell a service or a product to survive. As an independent filmmaker, your primary product is feature films. To make this business viable for yourself, you need to fill your file cabinet with story ideas. Then you need to figure out how to turn those stories into feature films, ready for sale.
4. Filmmaking Tip #4 – Surround Yourself With Talent. You can’t do everything yourself. Find a group of 10 other filmmakers who have complementary talents and an equal level of passion and enthusiasm. Then join forces and create some (movie) products!
5. Filmmaking Action Tip #5 – Learn how to sell. You will need sales skills on two fronts. Firstly, you should know how to sell, so you can raise movie money. And secondly, you should know how to sell so that you can accelerate sales of your movies. Once you learn the basics – stop fetching coffee and take a sales job outside of the industry, selling something tough. If you can master sales skills, you will start cold calling heavy hitters with no hesitation. This make pitching your ideas or (independent movie) products a cinch.

Anyway, I hope these filmmaking tips are helpful.

As always, if you have thoughts or ideas or questions, feel free to comment or email.

Posted under FILMMAKING