Because distribution was once discriminatory, many first time independent feature filmmakers had to hold their breath in hopes their movies would get into a film festival, buil buzz, and (hopefully) garner a great distribution deal, complete with a cash advance. But that is an outdated model.
For every project that I made, countless other projects have not been made. If you’ve never had a project fall apart, then you do not know heartache. And learning how to overcome heartache, and still push forward, is a key success strategy to learn for both filmmaking and your life.
I started Filmmaking Stuff because I wanted to help filmmakers make movies and also, create a self sustaining movie business. In other words, if you have the passion to make movies, then you owe it to yourself to get moving! The following filmmaking video provides you with a brief overview of the Modern MovieMaking Method. I also show you how to grab over $100 dollars in filmmaking tools, free.
Earlier this week, I caught wind of an indie production company based in Australia called Rapidfire Productions. This is a production company that operates as a self sustaining modern moviemaking business. They develop movies, get money, make their movies and through their own distribution arm, the company reaches the masses.
If you’re new to Filmmaking Stuff, welcome. If you’re a frequent reader, then you know that my major mission is to help you make your movie now! For about the last six months, I have been working to update our Filmmaking Stuff sister resource – I wanted to create a storefront where I could offer more advanced information.
If we think about it, widgets run our moviemaking; Think about our cameras and our equipment and the computer (or mobile device) the enables us to read these words. Now think of the companies and factories that produce these widgets, and the widgets that create the cars that drive the widget production team to work.
Part of why filmmaking seems challenging and impossible is because many of us start our career with the belief that filmmakers need a gazillion dollars, tons of experience and an address in Hollywood to make a living as a “real” filmmaker. While this was once true, the new model of movie making allows you to create and sell movies from anywhere in the world.
If you find yourself faced with filmmaking self doubt, you’re not alone. The important part is that you at least get a picture of what you want that is very specific. Then you should take time to work backwards. And who knows, maybe a decade from now we will be working on movie projects together.