FILMMAKING STUFF Filmmaking Stuff provides resources for independent filmmakers. The website includes articles on how to take a story idea from script to screen, including articles on scriptwriting, producing, finance, shooting, editing, directing, marketing, distribution and how to build an audience. Filmmaking Stuff also has articles detailing how to make money making movies – including interviews with Hollywood Producers, Directors, writers and other filmmaking professionals.

Progress through the eyes of a space man. Somehow this relates to filmmaking. Image via Wikipedia

So you want to produce an independent movie? Great. I think this is the best time in history to finally make your indie movie.

Why? Let me provide you with 3 uplifting reasons to help you make your movie now:

1. First, the cost of production has gone down dramatically for micro-to-low budget movies. These days, technology provides ways to get more bang for your buck. You can make your movie look super expensive, add some kick-butt FX and also get an awesome, high resolution image.

Assuming you’re super crafty, stuff that once cost millions can be done for under 10K.

2. Secondly, once you complete principal photography, you can complete your entire post product with the power of a laptop. To give you newbies some perspective – nearly a decade ago, you would originate your content on film, not HD. After that, you would then pay to have the film processed, color corrected, transferred to video, edited and then transferred back to film. You would also handle your sound design in much the same way. (And to really give you perspective, I had to physically “cut” my film on something called a flatbed editor.) UGH.

Anyway – today you can walk to your local Mac store and get a laptop and software that does this for you.

3. And finally, once you have a polished, finished movie, getting your work to the world is much easier. With some good internet marketing and the use of social networking tools, you no longer need a middle-man to get a return on investment. And while digital self distribution is still rough, we are only a few years away from VOD becoming the norm.

Anyway, I hope you are totally jazzed about making your movie. Sometimes self doubt and procrastination can really get in the way of good ideas. If you can help it, don’t let it. Please keep pushing forward. Believe me, there are many people out there making movies and making money making movies that are far less talented than you.

Just believe in your ability to make your movie now. Trust me, when you get to the other side you’ll wonder why you waited so long!

Posted under Filmmaking

I’m going to ask a few questions today and also take us back in time…

Have you ever watched a movie where the story seemed like it was just a bunch of Visual Effects, with no substance?

Conversely, can you think of a movie where the FX and VFX were just icing on the cake?

When I first started out, the movie The Matrix was all the rage. I don’t know if you remember but at the time, that movie was fresh and exciting and as a filmmaker, inspiring. I remember enjoying the movie because first and foremost, it had a great story. The visual effects and fancy camera techniques were secondary, complementary and completely necessary to tell the story. (By the way, I’m not talking about The Matrix 2 or 3… I didn’t understand those movies.)

Two important lessons I learned during that time:

1. The super cool techniques used in the movie were nothing new.
2. And if you were making movies back then, you may have been inspired to mimic similar VFX in your own work.

I know this because, if you traveled the festival circuit after that movie, you would have seen all sorts of short films that tried to incorporate similar Matrix-esq gimmicks into a story that-didn’t-quite fit.

Why?

While your opinion of what makes a movie good might differ from mine, hopefully we subscribe to a similar filmmaking philosophy — That is, anything that we include in our final cut must fit the story and push the story forward.

We all know that staging locations in a recognizable city or adding overhead shots or adding some other nifty, super cool camera tricks can work to make your movie look more expensive than it is – But sometimes if you’re really honest, these fancy tricks aren’t necessarily complementary to your story.

And as filmmakers, this is where we run into trouble. Sometimes it’s just downright difficult to cut all those super cool shots from our movie. (Some of my filmmaker friends would argue that the folks responsible for the most recient Indian Jones movie and the Star Wars prequels may have fallen into a similar FX-for-the-sake-of-FX trap.)

So as a rule of thumb, if you add an element or location or some other nifty, neat-o trick to increase the production value of your independent movie and the element is not inline with your overall story, you run the risk of distracting your audience and taking them out of the movie.

Posted under Filmmaking