Do you want to write your screenplay faster but without giving up quality? Here are the top tips based both on my own experience in writing more than 100 episodes of TV as well as TV movies, a feature film, and script doctoring, as well as the experience of top writers I’ve interviewed…
I see that there’s a one day workshop being offered with the pitch, “Who better to teach you to understand characters than EXPERT BEHAVIOR ANALYSTS?” It’s not my intention to diss the people offering the workshop (which I also why I’m not going to name them)—they are both screenwriters as well as Expert Behavior Analysts and sound like a couple of smart guys with credible credits.
Some screenwriters think that just about every screenplay should open with a bang of some kind: perhaps a literal explosion, or a murder, or a chase.Those may well be good choices for certain stories, but my take on this is that what an opening actually needs to do is to prompt two questions and one feeling in your audience…
I spoke at the UCLA film school and I got the impression that the next generation of filmmakers are open to new ideas, and new ways of making movies. Thanks to familiarity with YouTube as well as access to affordable production equipment, many modern filmmakers are embracing accessible, non-discriminatory distribution channels without hesitation or excuses.
If you’re an ambitious writer, I’m going to tell you a secret. There is no better feeling in the world than the day you stop sending query letters and instead, you start producing your own work. For years and years, you have dreamed about seeing your work on the big screen. You know you’re good. So why ask for permission?
“Chasing the Monster Idea” is a book by Stefan Mumaw in which he identifies seven questions that will help you determine whether you have a “monster” idea rather than just a good one (or a bad one). These questions also can help you figure out whether your movie idea is a monster. The first one: […]
I interviewed Nathan Wrann because he serves as a good example for any filmmaker who ever wanted to make movies without making excuses. In our talk, you’ll get down and dirty tips for no-money productions, promotion, marketing and distribution. This is a man who doesn’t care about reviews. This is a filmmaker who wants to do meaningful work that is unique.