FILMMAKING STUFF Filmmaking Stuff provides resources for independent filmmakers. The website includes articles on how to take a story idea from script to screen, including articles on scriptwriting, producing, finance, shooting, editing, directing, marketing, distribution and how to build an audience. Filmmaking Stuff also has articles detailing how to make money making movies – including interviews with Hollywood Producers, Directors, writers and other filmmaking professionals.

Jason Brubaker

If you’re familiar with Jason Brubaker’s articles in Movie Maker Magazine, The Independent and Filmmaking Stuff, or if you have seen him speak, then you know he offers an optimistic and energetic perspective on modern independent filmmaking.

If you are a meeting planner or film festival coordinator, Jason Brubaker is available for speaking, workshops and panel discussions related to the following topics:

How to Market And Sell Your Movie: With an independent movie market saturated with movies, it’s not enough to simply make a movie and expect to get paid. Luckily Jason Brubaker is a producer with a background in internet marketing and digital self distribution. In an easy to follow, step-by-step presentation, Brubaker shows audiences how to market and distribute their movies on the internet for maximum profit, without a traditional distribution deal.

“Exceptionally sharp, focused and insightful, Jason Brubaker knows how to squeeze profits out of a film release.  When I have to deal with marketing – whether it’s getting a film released or setting up a panel discussion – Jason is on my team.  He knows how to do the job and he knows how to explain the process.”

-Norman Berns; Emmy-Award Winning Producer

Keynote speaking: Do you have event, such as a film festival, film club screening, or dinner where your audience would benefit from a no BS update about modern independent filmmaking, and how to prosper – Hollywood based independent producer Jason Brubaker is available for keynote presentation. (Both domestically and internationally.)

Film Festival Panel Discussions: If your regional festival would benefit from insights related to modern filmmaking, Jason Brubaker is happy to participate. His primary topic is Digital Self Distribution and how filmmakers can make a living making movies in this ever changing (and challenging) industry.

Weekend Filmmaking Workshops: Jason Brubaker conducts weekend workshops where he teaches industry networking, producing and how to market and sell your movie through new methods in Digital Self Distribution.

1 Day Workshops: In one day, Jason Brubaker covers topics, including how to meet prospective investors, or how to market and sell your movie through new methods of Digital Self Distribution.

If you would like more information on Jason’s topics or availability, please use the following form to contact us:

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Filmmakers can now sell their movies on iTunes - Image via Wikipedia

As a filmmaker, uploading your movie to iTunes is a pain in the butt.

And if you’re new to feature filmmaking, let me explain a few things. One of the biggest challenges you have is getting your movie seen and sold.

Assuming you’ve traveled the festivals, you probably know that the distribution deals that once fueled your filmmaking dreams have dried up. And these days, even if you get a deal, one of the selling points of the deal will probably involve some distributor touting the wonders of iTunes.

Now before you protest, I’m not saying that better deals aren’t out there. They are. And I’m also not saying that you can’t get a dream distribution deal – you can. And great job if you land one!

But for the other 98% of filmmakers, if getting a return on your movie is a goal,  some choices will have to be made. Typically your choices are:

1. Do I take the crappy deal with the shady distributor? (If you have one.)
2. Or do I just market my movie myself?

If you’ve been reading this Filmmaking Stuff long enough, you probably know where I’m going with this. So let me take you there… If your deal does not pencil, it is NOT a deal! Period.

It simply comes down to this: do you want 3rd party validation? Or do you want cash without the middle man?

If you picked the ladder (and I hope you did), then your next order of business is to focus on a marketplace. And if you haven’t gone down this road before, let me tell you that there are only 3 TOP markets for your movie.

1. Amazon – They own a company called CreateSpace that will assist you in getting your movie into the Amazon marketplace as both a DVD and a VOD streaming option.
2. Netflix- This is a mail order movie rental house that also offers VOD streaming.
3. iTunes -I probably don’t need to tell you what iTunes is. In fact, I saved the best for last (and it is the focus of this article). But did you know you can now sell your movie through iTunes?

When attempting to get your movie seen and sold, if you do not get a deal, and you are not on those sites – then as a filmmaker, y you have cut your potential for revenue significantly. This is because the big 3 provide a marketplace full of hungry customers ready to buy movies.

“OK, Jason Brubaker – That’s great. But how do I get my independent movies on iTunes?”

Great question.

I am pleased to announce a strategic partnership with Distribber. They are owned by IndieGoGo and as a company, the service provides a one stop shop for filmmakers working to get their movies on iTunes, Amazon and Netflix. You simply pay a 1 time fee (which is reasonable, especially if your production team decides to buck up and each pay a little.)

Then assuming your movie makes the cut (there is a screening process), you get your movie on the Big 3. And unlike traditional distribution deals, this movie sales tool offers 24-hour access to your sales stats and your money. So once you’re set up, all you gotta do is log in to your account, check out your sales and view your cash balance.

And the cool part? No waiting for checks. No more “creative Hollywood accounting.” With this movie sales tool, you may withdraw your funds at any time via Paypal. To learn more, check out the site at: www.MovieSalesTool.com

If you have questions about this service, you’re welcome to email me. jason(at)filmmakingstuff.com

Posted under Distribution

For those of you who have completed your feature film, one of the biggest challenges you have is finding a movie distribution company and a great deal.

I am currently working on the release of our first feature documentary called Toxic Soup and I can tell you that things are changing daily out there. The world of distribution as we once knew it – well, it’s gone. Fortuantly, I know a thing or two about getting some ROI on movies via internet self distribution.

I am working with some folks to create a one-stop-shop for those of you who wish to market and sell your movie so you don’t have to settle for a crappy deal. There is enormous need for it. I forget some times that most filmmakers would rather focus on making movies and let someone else handle the marketing and sales. Anyway, stay tuned – I’ll have a solution in a few short weeks.

And for those of you who can’t wait, my article on digital self distribution will hit the stands in an issue of Movie Maker Magazine. Hopefully this will be a good starting point for you.

If you are in a situation where you have a movie, but no deal – please feel free to leave a comment on this site, or email me directly. It will help me address your concerns.

And as always, if you want to stay up to date with the ever changing climate of filmmaking stuff, please feel free to sign up for my newsletter and also get a free copy of my book. Go here: www.FreeFilmmakingBook.com

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Related articles (things are changing in movie distribution):

• Distribution pact brings better streams to Netflix users (arstechnica.com)
• Netflix, Relativity Media Partner On Streaming Movie Service (informationweek.com)

Posted under Distribution

The Cannon EOS 7D is changing the ways filmmakers make movies. Image via Wikipedia

Last week I had a debate with my buddy about filmmaking class. And no, I’m not talking about the classroom. But I am talking about social filmmaking status.

Basically the debate went like this: how do you decide what movies are “real” movies and what movies are “fake.”

(I know. Stupid debate, right? But if you read this, I’ll dispel a myth and forever end Hollywood movie snobbery. Promise.)

In other words, let’s say you’re a filmmaker and you decide to grab your Cannon EOS 7D and shoot a feature – how do you determine if you made a real movie or not?

ARE YOU READY TO LEARN THE DIFFERENCE BETWEEN A FAKE MOVIE AND A REAL MOVIE? Then here is the official Jason Brubaker criteria to determine if you created a “real” movie:

Does your movie make money?

If the answer is yes, you my filmmaking friend have a real movie.

“But there are no stars in your stupid movie that you made for 20K on a borrowed camera.”

“Yeah. But it makes more money than that Tom Cruise box office bomb.”

Do you see where I’m going with this?

I don’t give a crap about the idiot Hollywood snobs who would much rather ignore you and your HD camera. And so what if you never worked with Spielberg or for that matter any “name” talent. And who really cares if some band of ivy league film school graduates spent their 30k making an 8 minute, 35mm short, when you decided to make a feature?

Seriously.

The only thing that matters is if your movie makes money.

Again, seriously.

You’re a filmmaker. If you want to be in business, you must create a product. Your product is a feature film. And if you happen to shoot your feature for no money, with limited locations, with scenes that are under-lit, starring no name actors – but you actually FINISH your feature film and you find your audience and they agree to buy your movie, guess what?

1. First of all, you are what us business minded folks call “efficient.”
2. Secondly, by keeping your overhead low, it will take less sales to recoup your initial investment.
3. And most importantly, you have just created a REAL movie. You are a real, professional filmmaker.

So “F” any Hollywood snob that tells you otherwise. I mean, be nice – but seriously, tell em’ to take a hike. They are probably just worried about job security – and they should be.

Here is why:

Take a look at the ever eroding options for traditional distribution. There are more feature films than ever with better and better images for less of a budget. And very soon, the entire world will be flooded with high production valued content – the likes of which Hollywood has never encountered. (For a historical reference, read about how inexpensive product and cheap labor killed Bethalam Steel and compare this to what’s happening in Hollywood.)

So as a filmmaker, you now have a few choices:

1. Wait around for someone to discover your project and give you a gazillion dollars – so that you can have a “real” movie that will play the festivals and probably end up on iTunes and Amazon.
2. Move to Los Angeles, fetch coffee on various “real” productions so that you can one day make a movie that will probably play the festivals and guess what? End up on Amazon and iTunes?
3. Or starting today, you can create a movie structured around your current cash and equipment and location limitations that will (this is the kicker) play the festivals and probably end up on iTunes and Amazon.

Do you see what I’m getting at? Theatrical distribution is not a viable outlet for independent filmmakers. And video stores are changing and becoming a less viable sales outlet for indie filmmakers. So where does this leave Hollywood filmmakers and you? You got it. The internet.

And yes, I’m once again referring to:

digital self distribution.

(Tell your filmmaking friends – it’s time to face reality.)

You see, for any business to survive, you need a product (or a service) and a group of people willing to recognize that the value of your product outweighs the value of their cash.

Your movie is your product. And thanks to innovations in both production and digital self distribution, there is really no difference between the dollars spent for “real” Hollywood movies or your movie.

And if you’re making a living doing what you love, who really cares if some idiot thinks your work is sub par? I mean, this debate never bothered Roger Corman, so why should it bother you?

Now the important question is – what does this mean? For that answer, I offer a FREE filmmaking book:

www.FreeFilmmakingBook.com

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Jason Brubaker is a Los Angeles based independent producer and an expert in digital self distribution. He makes movies and he writes about making movies. More of his articles can be found at www.filmmakingstuff.com

Posted under Filmmaking