There is a lot of talk about the difference between a “real movie” and a “back yard Indie.” In this article we explore modern, no-budget filmmaking.
Brian Norgard is the founder of Chill. And today he stopped by Filmmaking Stuff to share news about the Vigilante Diaries, which is also the first series ever to use the “episodic funding model.” In full disclosure, I manage film acquisitions for Chill – at the same time I thought the filmmaking community would benefit […]
With the demise of traditional DVD distribution, you as a filmmaker are responsible for your audience. Why? Because your audience is your business – and without an audience you will have no movie business. Having an audience database for your movie is essential…
YOU are now responsible for marketing, promotion and distribution of your movie. And inline with this strategy, you must view regional and second tier festivals as an opportunity to build your audience list. But instead of handing out postcards to other filmmakers, your marketing strategy will be smarter.
“If you want to make a living making movies, you need to realize that your library and the subsequent audience you source (over your career) are your major assets. And, as a result, your most important filmmaking focus (aside from doing good work) is to acquire and keep a customer,” he emphasizes.
Early in my filmmaking career, I made a lot of mistakes – Many of these mistakes are attributable to a real lack of advice from people with experience. The following video offers good advice to new filmmakers who are looking for guidance. (And for those of us filmmakers who have produced a few features – this is still great advice!)