Always Sunny in Philadelphia has become one of the biggest hits on American television. Charlie Day is an actor, writer and executive producer of the hit series, and he took a few minutes to stop by Filmmaking Stuff to chat about the show…
Or it may be that in the middle of my script things drag along too slowly–a common problem of first drafts. In that case, reminding myself that the traditional story model calls for escalating conflict can lead to better consideration of how I can add incidents that ramp up the tension and drama.
While nobody wants to make movies for pocket change, many filmmakers still believe we can somehow continually produce unprofitable (movie) products and expect the money and the subsequent jobs to keep rolling in. And unlike years past, filmmakers can no longer approach investors with the cliche pitch: “Filmmaking is a risky investment – if we are lucky, we might win Sundance and get a deal.” Now, with transparent distribution options availabe to all filmmakers, that line of give-me-money reasoning is reckless, no longer applicable, and in my opinion, unethical.
When your in the filmmaking process, getting a website up and running is one of those things that filmmakers oftentimes forget. Please don’t. Given the ways in which distribution is changing, having a great website for your movie is probably one of the most important aspects of your eventual movie marketing campaign.