Filmmaking Stuff Filmmaking Stuff provides resources for independent filmmakers. The website includes articles on how to take a story idea from script to screen, including articles on scriptwriting, producing, finance, shooting, editing, directing, marketing, distribution and how to build an audience. Filmmaking Stuff also has articles detailing how to make money making movies – including interviews with Hollywood Producers, Directors, writers and other filmmaking professionals.

Prior to getting my own features off the ground, I worked for an indie producer in New York City. I took the gig because I wanted to uncover the “secrets” to making movies. And after a few months, I ended up working in development – which pretty much meant it was my job to read screenplays and write reports about the material, called coverage.

When I wasn’t reading, most of my days were spent sitting in on meetings and taking notes. Given the fast paced grind of the development office, if you were one of the many writers, actors or filmmakers who sent us a query letters, headshots or your student films- odds are good that I opened some of your mail and put it on a stack. And that stack probably ended up in a filing cabinet. And? Well…

Listen. If you’re ambitious and you’re still waiting around for someone to “give you permission” to make your movies, I’m going to share a secret. There is no better feeling in the world than the day you stop sending query letters and instead, you start producing your own work (or if you’re an actor, you start casting yourself). For years and years, you have dreamed about getting your work on the big screen. You know you’re good. So why ask for permission?

Now I know this can be a scary transition. So I want to provide you with five tips to make becoming a super-hyphenate a little easier.

1. Have a well defined log-line for your project. Seriously. Most first time indie producers settle for a simple character driven story. But the story is always confusing. So here is the test, if you can not explain your story with the use of a simple log line, something is off. Fix the log line now. You’ll need it for your marketing later.

2. Everything in your screenplay costs money. So if your passion project is too expensive, write something based on locations in your neighborhood. Your true genius will come from your ability to tell a compelling story, not by how many expensive Special FX you can pack into your movie.

3. Ice, Snow, Rain, Sun, dogs, lighting bolts and children have always been a challenge to predict. If you include any of these elements in your story, I guarantee that setups that should only take minutes will take days. Avoid these elements if possible.

4. As soon as you decide to produce and possibly direct your movie, hire a seasoned Production Manager to work with you. They will read your script. They will tell you that your movie will cost way more than you think and they will help you alter the story to meet your budget constraints. Managing the budget is their job. Respect it. Then ask your PM if they know a great 1st AD. (They will!)

5. Hire a GREAT First Assistant Director. Not some film school kid either. Pay the money. Build a relationship. The First AD will be the general of your production. They will build off the Production Manager’s budget and schedule the movie. The 1st AD keeps the production on time.

These steps will provide you with a good starting point. Once you have your script, PM and your 1st AD, you will find that your project will start to gain momentum. Finish your feature and people will start sending you query letters. I guarantee it. If you liked this filmmaking article, sign up for my newsletter.

Posted under SCREENWRITING

Prior to producing my own movies, I worked for a producer in NYC. And I want to take a moment and apologize for never responding to your query letters. I have no excuse for it, other than I was busy paying my dues.

At that time, most of my 12 to 14 hour days were spent fetching coffee, running errands and writing coverage on the priority material that came from agents. So given the fast paced grind of the development office, your query letter probably got put on my stack. And that stack probably ended up in a filing cabinet. And? Well…

Listen. If you’re an ambitious writer, I’m going to tell you a secret. There is no better feeling in the world than the day you stop sending query letters and instead, you start producing your own work. For years and years, you have dreamed about seeing your work on the big screen. You know you’re good. So why ask for permission?

Now I know this can be a scary transition. So I want to provide you with five tips to make your journey from Screenwriter to super-hyphenate a little easier.

1. Have a well defined logline. Seriously. Most first time writer director types settle for a simple character driven story. But the story is always confusing. So here is the test, if you can’t explain your story with a log line, something is off. Fix the log line now. You’ll need it for your marketing later.
2. Everything in your screenplay costs money. So if your passion project is too expensive, write something based on locations in your neighborhood. Your true genius will come from your ability to tell a compelling story, not by how many expensive Special FX you can pack into your movie.
3. Ice, Snow, Rain, Sun, dogs, lighting bolts and children have always been a challenge to predict. If you include any of these elements in your story, I guarantee that setups that should only take minutes will take days. Avoid these elements if possible.
4. As soon as you decide to produce and possibly direct your movie, hire a seasoned Production Manager to work with you. They will read your script. They will tell you that your movie is going to cost way more than you think and they will help you alter the story to meet your budget constraints. Managing the budget is their job. Respect it. Then ask your PM if they know a great 1st AD. (They will!)
5. Hire a GREAT First Assistant Director. Not some film school kid either. Pay the money. Build a relationship. The First AD will be the general of your production. They will build off the Production Manager’s budget and schedule the movie. The 1st AD keeps the production on time.

These steps will provide you with a good starting point. Once you have your script, PM and your 1st AD, you will find that your project will start to gain momentum. Finish your feature and people will start sending you query letters. I guarantee it.

For more information on writing movie scripts that YOU produce, check out: www.WriteYourMovieNow.com

Posted under SCREENWRITING

For those of you considering producing your first feature, hiring a good 1st Assistant director is an invaluable part of the process. Why? Well a 1st AD is in charge of taking your screenplay, breaking it down and providing the initial schedule. That information is later used to budget your movie. And the budget is used in your business plan – which is used to attract potential movie investors.

Break Down and Schedule
Breaking down the script means you go through your screenplay, number each scene and highlight each element, including locations, characters, props, make up, wardrobe, picture vehicles and special FX…

All of these things cost money. And once the script is locked, any modification you make to the story or schedule, no matter how minor or major, will subsequently impact the budget.

If money is tight, you might consider performing your own breakdown long before you bring on a 1st AD. If you go this route, I suggest doing a web search for Gorilla Film Production Software or Movie Magic (formerly branded as Entertainment Partners). With these tools, you’ll have some help as you break down and schedule your movie.

In the event you want some more information about the mechanics of script breakdown and film scheduling, my very accomplished movie industry friend Peter Marshall has put together one heck of an online course. I have included a video below that provides more detail.

If you’re interested in learning more about Peter D. Marshall’s Script Breakdown and Film Scheduling Course For Indie Filmmakers, you can CLICK HERE or just bookmark this page for a later time. Additionally, if you know other filmmakers who might benefit from Peter’s insight, spread the word by clicking on one of those little buttons below.

Posted under FILMMAKING