Sell A Movie To Netflix

The world of indie filmmaking is abuzz with folks wanting to sell a movie to Netflix. And this is for good reason. With over 30 million subscribers, getting your movie into the platform would represent exposure. As a result, many filmmakers have been leaving messages at my office like this:

I want to sell a movie to Netflix! I just want you to know that I don’t care about money. In fact, if I can’t sell a movie to Netflix, I’d be happy to put my movie on Netflix for free.

If you’re having similar thoughts, you may want to rethink a few things. While the opportunity for exposure feels enticing, accepting a silly deal doesn’t pay the bills or pay back your investors.

Sell a Movie to Netflix

Unlike many VOD platforms, the majority of Netflix deals still happen the traditional way. A filmmaker finds a distributor. The distributor negotiates a deal with Netflix. And then the filmmaker gets paid a licensing fee upfront.

If you decide to tackle Netflix distribution yourself, you’re going to jump through a series of hoops. To start, you must first get into their database.

Sell a Movie To NetFlix

How do you get into the Netflix database?

This is the secret sauce. Netflix decides what movies get into their database. And short of knowing somebody on the inside, there isn’t much you can do to change this. So at the very least, you better have an awesome movie that appeals to a large segment of the Netflix subscriber base. Beyond that, it helps if you can drum up tons of publicity.

What does Netflix pay for film acquisitions?

If you are fortunate enough to get your title into the Netflix database, you still need a gazillion people to request your movie in their Netflix queue. This is called queue demand. And this metric will influence the actual amount of money Netflix will offer you. If you want to score a big deal, your movie better have a lot of demand.

Should You Try To Sell A Movie To Netflix?

Aside from getting your movie noticed, the deals may not pay. In response, some of my filmmaker friends argue that it is important to sell a movie to Netflix merely for the exposure. To that, I usually remind them that piracy is also good for exposure. And getting someone to bootleg your movie involves a lot less headaches.

Next Steps For Netflix Distribution

If you are still set on getting into Netflix, then you may consider reaching out to traditional distributors. Utilizing traditional channels may allow you to circumvent some of the requirements I mentioned earlier. And who knows? You might find a distributor able to negotiate an awesome deal.

Conversely, if you’re willing to go the distance, you can start the process by utilizing a filmmaker friendly VOD aggregator like Distribber. (Note: In full disclosure, I once ran operations at Distribber, and they still pay me to promote.)

In both instances, I would advise that you don’t hold your breath. Now that Netflix produces their own shows, getting in (and actually landing a satisfying licensing deal) may still prove challenging.

sell your movieIf you would like to explore other popular (and accessible) outlets for your movie, you might wanna focus on transactional platforms first like iTunes and Amazon and then drive targeted traffic to your point of sale.

While you’re at it, if you’d like more info on modern distribution tactics, check out the Independent Producer’s Guide To Digital Distribution.

Email Marketing For Movies (Why You Need To Start Now!)

Did you know that email marketing for movies is as important as making your movie?

Sounds weird right?

I mean, you’re a filmmaker. What does email marketing for movies have to do with your success?

Everything…

In fact, I believe that email marketing for movies is essential.

And here’s one example why:

Picture This – You’re meeting a prospective investor for the first time.

You enter her gigantic office and you sit down. The assistant asks if you’d like anything to drink. You politely decline. (The truth is, you’re thirsty – But this is a big meeting and you don’t want to spill anything on your shirt.)

After a few minutes, your prospective investor walks into the room, sits down and you start talking. Everything is going well and the conversation organically flows into why you’re there. You’re there because you’re looking for investors. Specifically, you’d like her to fund your movie. And it goes something like this:

[Disclaimer: I am not a tax, legal or investment professional. So what I am about to share should be no way construed as any sort of advice. In fact, I am merely demonstrating via dialogue why I believe email marketing for movies is essential for filmmakers. Please speak with a qualified professional before taking any meetings with anybody anywhere in the universe.]

BEGIN SCENE

Filmmaker
I’m going to make a movie right here in this town. And I am looking for prospective investors who would be interested in backing the project.

Prospective Investor
Sounds interesting. As you can probably imagine, I have meetings like this every week. Last week someone proposed I should invest in their purple-pine-cone business. They are already profitable. And they are offering me an amazing opportunity with very low risk. Why should I invest in your project?

Filmmaker
We have this really great script. And we are going to make a movie. Take it to Sundance, sell the movie for maximum profit. And then we are going to use those profits to make more movies.

Prospective Investor
Get out of my office!

Filmmaker
Why?

Prospective Investor
Because what you just presented is not a business. It is a gamble. You don’t know if you’ll get into Sundance. And you don’t know if someone will buy your movie. And even if you do, you have no idea how much they will pay.

Filmmaker
But Paranormal Activity did awesome!

Prospective Investor
Get out!!! And only come back when you have a REAL business plan.

END SCENE

The world of independent filmmaking is changing.

The market is flooded with backyard indies. As a result, there is no longer a world where you get into Sundance and simply sell your movie to the highest bidder. And even if that world still existed, it was always a crappy bet for new filmmakers and inexperienced film investors.

Email Marketing For Movies

Email Marketing For Movies

As a result of these changes, filmmakers who want to make a living making independent movies need to start thinking about their target audience BEFORE YOU MAKE YOUR MOVIE!

While I would never suggest that you completely forgo your artistic integrity, I would suggest you answer the following questions:

  1. Who is going to buy and watch your movie? (Hint, if you answer everybody, you answered nobody.)
  2. How will you reach your intended niche, target audience?
  3. How many VOD downloads will it take to recoup your initial investment?

Since those of you who make movies are mostly filmmakers, not marketers, it becomes increasingly challenging to market your movie and your work. But some aspects of marketing are easier than you think.

How to get started?

One easy thing you can do is set up your own email marketing system. Email marketing for movies works like this – The bigger your list of targeted subscribers, the more sales you can potentially make. And for an example of how this works, click here to grab your free filmmaker checklist.

Pretty cool right?

Did you see how that big box just jumped right at you?

If you signed up, you did so because the Filmmaker Checklist is more valuable than the time it takes to type your email address. (And I really did put a lot of work into making it valuable for you.) This is what marketers call an “ethical bribe,” “opt-in candy” or a “lead magnet.” And you need to create a lead magnet for your movie website visitors too.

Common lead magnet examples for movie website usually consist of: behind the scenes photos, movie song downloads or soundtrack, poster downloads, short video clips, or pretty much anything your audience would value…

There are two tools I utilize to create this and build my list. And both pay me to promote. (So do your own research.) One is called Aweber. And the other is called LeadPages.

Aweber manages my professional email correspondence and helps me avoid ending up in the Spam trap. And LeadPages links with Aweber and helps me come up with really awesome subscriber forms like the one you clicked above.

As a rule of thumb, never email blast from your own servers. Always use a 3rd party email marketing company that insists on something called a double opt-in. A double opt-in means that after people submit their name and email to your list, they will still need to check their email for a confirmation link.

Then in each subsequent blast, the email will always provide an easy way to unsubscribe.

For a recap, here are the three steps you take to get started with email marketing for your movie.

  1. Come up with a “lead magnet.”
  2. Get started with Aweber (they pay me.)
  3. Link Aweber to Leadpages (they also pay me.)

Collect Email From Your Movie Website

In the context of movie promotion, several other movies do this really well. Check out Food Matters, Camp Takota and Forks Over Knives. Each example is a highly successful movie. And one major reason for this success is, you guessed it:

Email marketing for movies!

As you can see, most of these movie websites are very streamlined, usually limited to trailer as well as an opt-in form. This is intentional. Above all else, building an email list is essential for the long term success of these movies, selling related merchandise and subsequent sequels.

Copy this strategy for your own movie website! Like these other filmmakers, start collecting names and email addresses of prospective audience members as soon as you can. Or to put it another way:

You are no longer in the movie business. You are now in the audience engagement business.

Through both online and offline marketing efforts, your objective is to grow community around your movie – which could spread positive word of mouth. This could eventually lead to direct video on demand sales! And the other benefit? If you start now, you could begin to grow a list. this can help you while you’re raising money.

Here’s that example again (with the added value of a robust email list.)

BEGIN SCENE

Filmmaker
I’m going to make a movie right here in this town. And I am looking for prospective investors who would be interested in backing the project.

Prospective Investor
Sounds interesting. As you can probably imagine, I have meetings like this every week. Last week someone proposed I should invest in their purple-pine-cone business. They are already profitable. And they are offering me an amazing opportunity with very low risk. Why should I invest in your project?

Filmmaker
We have this really great script, a robust email list of 15,000 raving fans! So far, the responses for this next movie seem favorable. So this at least gives us a direct market base to hedge our bets. Aside from selling the movie directly, many have expressed interest in additional merchandise, like t-shirts. So this offers us a great opportunity to create multiple retail, revenue opportunities.

Prospective Investor
Sounds like you’ve done your homework. Tell me more!

END SCENE

While this is a totally fictional example, I am hoping you see the power of email marketing for movies. Having a plan for email can accelerate the growth of your movie business. And we aren’t just talking your current movie, but all movies moving forward!

sell your movieSometime down the road, long after your movie has played the festivals and sold out on iTunes, you may find there is value in promoting other movies of a similar genre – or better yet, selling your next movie. This is when email marketing for movies really pays off. Remember, with email marketing for movies, the real money is in your list!

If you liked these marketing tips, you will love the sell your movie action pack.

 

Movie Marketing: Are Film Festivals Losing Relevance?

Filmmakers often utilize film festivals as a way to get their work seen and hopefully sold. And while acceptance to top-tier festivals is super exciting – the reality is, many filmmakers do not get in.

As a result, many of these semi-dejected filmmakers take a shotgun approach to their festival strategy. They start applying for most every regional and local film festival, everywhere. And aside from outlandish application fees, upon arrival to these festivals – instead of  meeting a bunch of VIP acquisitions executives, most second tier festivals are populated by a bunch of other desperate filmmakers shoving postcards in your face, eagerly advertising their screening times to, well, other filmmakers.

Sometimes this includes free beer. (Most times not.)

While having delusions of distribution grandeur is still part of the film festival fun – with the demise of DVD distribution, and the odds that you won’t get into Sundance – it is vitally important that you create a film festival strategy PLAN B.

What is a film festival strategy PLAN B?

Simply put, if you are serious about making your movie profitable, YOU are now responsible for marketing, promotion and distribution of your movie. And inline with this strategy, you must view regional and second tier festivals as an opportunity to build your audience list. But instead of handing out postcards to other filmmakers, your marketing strategy will be smarter.

Here are five tips on making film festivals relevant to your movie business:

  1. Write a press release specific to the festival and then distribute to the local press. This also involves picking up the phone and personally inviting the press to attend your screening. Many festivals will have a press list. You can use this – but I would also advise conducting additional internet searches for other press outlets.
  2. Many local towns have a filmmaker community. Reach out to them. If you are traveling, it’s great to have someone to pal around with. The secondary benefit to this is, many of these same people will have relationships with the festival staff – always good to know people on the staff.
  3. If the festival allows it, see if you can take several clipboards into your screening. You’ll want to collect the names and email addresses of each viewer and get their permission to email them. Later you will enter this data into your audience list.
  4. If your film website does not include a blog component, add one. Then update frequently. Add pictures and video. Let the world know your movie is screening. People like this stuff.
  5. And finally, most regional festivals have panel discussions with industry experts. Make sure you attend these. Take your business cards. And then try to build relationships with whomever is on the panel. (And as a side note, if you know anybody looking for a panelist – I suggest inviting Jason Brubaker from Filmmaking Stuff? Just sayin’)

Out of everthing I mentioned, the most important strategy for your movie and your modern moviemaking career is grow your own fan base. This way, when you focus on building your audience list, you stress a lot less about the traditional distribution deal you may or may not have received at one of the notorious festivals.

So yes. Film festivals are still relevant. They offer a great way to source an audience for a minimal marketing investment.

Also, I’d like to thank one of our filmmaking stuff readers named Michael for this question. If you would like to get on the filmmaking stuff VIP list, click here >>

Filmmaking For a Living

Hollywood Sign

Image via Wikipedia

As a filmmaker, you are expected to make a product (your movie). The money invested to create your product should be less than the eventual sales of your product. If you can not figure out how to achieve this goal, you do not have a business. You instead have an expensive hobby and probably a good demo reel.

There are a lot of filmmakers who attempt to raise money without first considering how their movie will recoup the initial investment. These filmmakers say things like “I have a vision” or “I’m going to make this for the love of filmmaking. Then I’ll get into festivals, get noticed and garner a great distribution deal!” And while it is true that passion, tenacity and blind optimism play an important role in getting your movie produced and seen and hopefully sold, this alone is not enough to drive the masses to your screenings.

This happens in Hollywood all the time. A filmmaker creates a typical business plan that focuses on film festivals as the most viable distribution strategy. And played out, the filmmaker gets the money, hires a crew, makes a movie and then enters the festivals. But months after wrap, well into the festival circuit, these filmmakers realize that the market has changed. The days of awesome DVD acquisitions deals and huge upfront advances are over. And when the last frame flickers off the silver screen, these filmmakers take their dashed-dreams back to their day job.

The veterans of the industry tell us that all this distribution deal disappointment is a result of improved technology. They optimistically tell us that our lost DVD revenues will be recouped by Video On Demand. Some refer to this as simply a market correction, implying that someday, somewhere, someone will figure out how to once again pay the big bucks for movies. But this is a pipe-dream.

Here is the flaw. Most filmmakers depend on DVD distribution for a return on investment. And with deteriorating DVD sales channels, filmmakers are currently left with iTunes, NetFlix and Amazon as the most prominent VOD sales options. My question is this. Who on earth is going to pay a major advance to get your movie into a marketplace that YOU can easily access without the middle man?

This approach to the marketplace changes everything. Your business is no longer dependent on production and capital gains. Nope. These days, the focus for the filmmaker lies in creating multiple streams of movie income over the long term. And if you want to make a living making movies, you need to realize that your libary and the subsequent auidence you source (over your career)  are your major assets. And as a result, your most important filmmaking focus (aside from doing good work) is to acquire and keep a customer.

Like it or lump it, filmmaking has become a small business. The same rules now apply.

– – –

Jason Brubaker is a Los Angles based independent filmmaker and an expert in Video On Demand distribution. If you are one of the many filmmakers seeking movie distribution, you might want to check out The Independent Producer’s Guide To Distribution.

Win a Free Copy of The Indie Producer’s Guide To Digital Self Distribution

A few weeks back I silently released a new product called The Indie Producer’s Guide to Digital Self Distribution. The product involves a step-by-step workbook and action guide to teach you how to self distribute your movie on the internet.  This was actually version 1.0 – and I am planning some MAJOR updates.

Let me explain. . .

I know a lot of people are talking about how to distribute movies on the internet. But like a lot of  the internet information, much of the stuff out there is fluff, brought to you by folks who have never actually produced and distributed their movie on the internet. And because I have had a TON of success marketing and self distributing my movie on the internet, I want to share my knowledge with you.

If you read my articles, you probably know our first feature (a silly zombie movie) would have been a flop if it wasn’t for internet marketing. Like a lot of you, the movie was rejected by every distributor on the planet. (Ok. We did get some deals. But they were horrible!)

So through trial and error and a lot of sleepless nights, we got our movie on the internet and it started selling. That was almost three years ago – and I am pleased to say, as I type these words – our little zombie movie is still selling. There is no middleman. And there is no need for a traditional distribution company.

Anyway, in compiling the 2.0 version of The Indie Producer’s Guide To Digital Self Distribution, I really took all of my internet movie marketing experience and shoved it into a system that you can implement for your own movie, today. (By today, I mean immediately. Even if you aren’t a tech geek.)

The Indie Producer’s Guide to Digital Self Distribution contains a crazy amount of material — first I provide you with a step-by-step guide, with a no-holds-barred recount of my personal story – I share what worked and what didn’t for our movie (so you don’t have to repeat my silly mistakes.) The system will also include a 65-step movie distribution checklist, over 90 minutes of MP3 audio instruction and several bonuses – all geared to help you get your movie selling like crazy.

Back to the Contest: The winners will get the entire product, including ongoing updates and a 30 minute digitial self distribution coaching session with me (over the phone or Skipe). I totally love this stuff and am so happy whenever I hear of a filmmaker who has resurrected his or her movie from the dusty book shelf.

UPDATE: The contest has ended years ago. But if you’d like access to the most up-to-date version of my sell your movie system, visit: www.HowToSellYourMovie.com